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MEP GENRES by Mind Map: MEP GENRES

1. Gigue

1.1. compound quadruple

1.2. very fast

1.3. anacrusis

2. Zapin

2.1. Marwas, gambus

2.2. Taksim

2.2.1. solo improvisatory passage

2.2.2. free meter

2.2.3. no drums

2.3. Melodic phrases

2.3.1. Kopak

2.3.1.1. drums more prominent and virtuosic

2.4. Tahtim

2.4.1. climax of piece

2.4.2. drums more prominent

2.5. For royalty/entertainment

2.6. More instrument focussed

2.7. Malaysia

3. Joget

3.1. Malaysia

3.2. revolves around I IV V

3.3. repetitive

3.4. no structure

3.5. For celebratory dances

4. Marzurka

4.1. emphasis on 2nd or 3rd beat

4.2. irregular tempo

4.3. triple time

5. Etude

5.1. technically virtuosic

6. Nocturne

6.1. night-feel

6.2. expressive

6.3. broken chords

7. Hindustani

7.1. Tabla

7.2. Sitar, Sarod, Sarangi

7.3. Tambura, drone box

7.4. North India

7.5. Violin

7.6. Voice

7.7. Alap

7.8. Gat

8. Carnatic

8.1. South India

8.2. Mridangam

8.3. Vina

8.4. Tambura, drone box

8.5. Violin

8.6. Voice

8.7. Alapana

8.8. Kriti

9. Concerto Solo

9.1. Solo

9.2. Tutti

10. Sonata Da Camera

10.1. Harpsichord

10.2. Cello

10.3. Dance characteristics

10.4. Chamber music

11. Sonata Da Chiesa

11.1. Church

11.2. Organ

11.3. Cello

12. Allemande

12.1. simple quadruple

12.2. anacrusis

12.3. moderate

12.4. stately

13. Polonaise

13.1. stately

13.2. regular tempo

13.3. lively

13.4. fast

13.5. chordal

14. Waltz

14.1. prominent triple time

14.2. moderate tempo

14.3. lyrical

14.4. elegant

15. Sarabande

15.1. triple time

15.2. slow

15.3. emphasis on 2nd beat

16. Courante

16.1. moderately fast

16.2. triple time

16.3. anacrusis

17. Jiangnan Sizhu

17.1. Shanghai, China

17.2. Dizi

17.3. Yangqin

17.4. Pipa

17.5. Muyu

17.6. Ban

17.7. For amateur gatherings

17.7.1. Tea houses

17.8. Erhu

18. Guangdong Hanyue

18.1. Guangdong, China

18.2. For performances

18.2.1. Cantonese Opera

18.3. Xiao

18.4. Tihu

18.5. Yueqin

18.6. Guzheng

18.7. Yangqin

18.8. Pipa

19. Javanese Gamelan

19.1. For royalty

19.2. Saron, Slenthem, Gender, Peking

19.2.1. Balungan

19.3. Kethuk, Kenong

19.3.1. Time keep

19.4. Java, Indonesia

19.5. Less lively

19.6. Bonang

19.6.1. elaboration

19.7. Kendang

19.7.1. drums

19.8. Gongs

19.8.1. Gong cycles

19.9. Polyphonic Stratification

20. Balinese Gamelan

20.1. Bali, Indonesia

20.2. For entertainment

20.2.1. Wayang Kulit

20.3. More lively

20.4. Ceng ceng

20.5. Gangsa, Ugal

20.5.1. Pokok

20.6. Reyong, Trompong

20.6.1. elaboration

20.7. Kendang

20.7.1. Rhythmic accompaniment

20.8. Kempli

20.8.1. Time keeper

20.9. Gongs

20.9.1. Gong cycles

20.10. Polyphonic Stratification

20.11. complex interlocking rhythms

21. Impressionism

21.1. pentatonic scale

21.2. unconventional harmonies

21.3. Debussy

21.4. France

21.5. implied tonal areas

21.6. blended timbre

21.7. unclear phrase structure

22. Expressionism

22.1. atonal

22.2. polytonal

22.3. highly dissonant

22.4. note clusters

22.5. disjointed melody

22.6. contrasting timbres

22.7. Schoenberg, Webern

23. Pointillism

23.1. sparse texture

23.2. Berg, Schoenberg

23.3. single notes in isolation

23.4. atonal

23.5. polytonal

24. Neoclassicism

24.1. Vaughan Williams

24.2. mixes Classical characteristics with modern twists

25. Concerto Grosso

25.1. Ripieno

25.2. Concertino

25.3. polyphonic

26. Fugue

26.1. Subject keeps returning

26.2. Sequences

26.3. Repetition

26.4. Polyphonic