1. AESTHETICS OF FILM AND TV
1.1. FILM FORM
1.1.1. LENGTH OF FILM
1.1.1.1. SHORT FILM
1.1.1.2. FEATURE- LENGTH FILM
1.1.2. MODE OF FILM PRODUCTION
1.1.2.1. PRE-PRODUCTION STAGE
1.1.2.2. PRODUCTION STAGE
1.1.2.3. POST- PRODUCTION STAGE
1.1.3. FILM FORMATS
1.1.3.1. NARRATIVE
1.1.3.2. ANIMATION
1.1.3.3. DOCUMENTARY
1.1.3.4. EXPERIMENTAL
1.1.4. FILM IMAGE COMPOSITION
1.1.5. MOTION OF FRAMING CONCEPTS
1.2. TV BROADCAST
1.2.1. TV SHOW ANATOMY AND ADVERTISING
1.2.2. KINDS OF TV SHOW
1.2.2.1. INFORMATIVE PROGRAMMING
1.2.2.2. ENTERTAINMENT PROGRAMMING
1.3. CRAFTING MEDIA MESSAGES
1.3.1. AUDIO PRODUCTION
1.3.2. IMAGE PRODUCTION
2. AESTHETICS OF NEW MEDIA
2.1. TRANSITIONING MEDIA, TRANSITIONING USERS
2.1.1. DIGITAL NATIVE
2.1.2. DIGITAL IMMIGRANT
2.2. INTERSECTING TRADITIONAL MEDIA AND NEW MEDIA
2.2.1. JOURNALISM + INTERNET = BLOGGING
2.2.2. BROADCASTING + INTERNET = PODCAST
2.2.3. FILM + INTERNET= YOUTUBE
2.3. DECONSTRUCTING NEW MEDIA
2.3.1. NEW MEDIA TECHNOLOGY: CONVERGENCE AND CHARACTERISTICS
2.3.2. NEW MEDIA AS MULTIMEDIA
2.3.3. NEW MEDIA TRANSITIONS FROM SYNERGY TO TRANSMEDIA
3. AESTHETICS OF SOCIAL NETWORKING
3.1. RELEVANCE OF SOCIAL MEDIA IN TODAY'S SOCIETY
3.1.1. PERSONAL COMMUNICATION
3.1.2. BUSINESS AND CUSTOMER CARE TOOL
3.1.3. SOCIAL SERVICE AND GOVERNANCE
3.1.4. EDUCATIONAL TOOLS
3.1.5. ADVOCACY CAMPAIGN FOR SOCIAL CHANGE
3.1.6. TRADITIONAL MEDIA COVERAGE AND SOCIAL MEDIA ENHANCEMENT
3.1.7. ENTERTAINMENT PORTAL
3.2. DEEPER UNDERSTANDING OF SOCIAL MEDIA
3.2.1. KINDS OF SOCIAL MEDIA AND ITS VARYING USES
3.2.1.1. PRINT-BASED
3.2.1.2. PHOTO-BASED
3.2.1.3. AUDIO-BASED
3.2.1.4. VIDEO-BASED
3.2.1.5. SOCIAL NETWORKING SITES
4. AESTHETICS OF THE IMAGE, TEXT, AUDIO
4.1. FRAMING AND READING
4.1.1. NEWSPAPERS AND JOURNALISM
4.1.2. BOOKS, COMICS, MAGAZINES, AND THE PUBLISHING INDUSTRY
4.1.3. PHOTOGRAPHY AND TIMELESS IMAGE CONCEPTS
4.2. FRAMING AND LISTENING
4.2.1. EVOKING IMAGINATION
4.2.2. RADIO