1. AESTHETICS OF FILM AND TV
1.1. FILM FORM
1.1.1. LENGTH OF FILM
1.1.1.1. SHORT FILM
1.1.1.2. FEATURE-LENGTH FILM
1.1.2. MODE OF FILM PRODUCTION
1.1.2.1. PRE-PRODUCTION STAGE
1.1.2.2. PRODUCTION STAGE
1.1.2.3. POST PRODUCTION STAGE
1.1.3. FILM FORMATS
1.1.3.1. NARRATIVE
1.1.3.2. ANIMATION
1.1.3.3. DOCUMENTARY
1.1.3.4. EXPERIMENTAL
1.1.4. FILM IMAGE COMPOSITION
1.1.5. MOTION OF FRAMING CONCEPTS
1.2. TV BROADCAST
1.2.1. TV SHOW ANATOMY AND BROADCASTING
1.2.2. KINDS OF TV SHOWS
1.2.2.1. INFORMATION PROGRAMMING
1.2.2.2. ENTERTAINMENT PROGRAMING
1.3. CRAFTING MEDIA MESSAGES
1.3.1. AUDIO PRODUCTION
1.3.2. IMAGE PRODUCTION
2. AESTHETICS OF IMAGE, TEXT AND AUDIO
2.1. FRAMING AND READING
2.1.1. NEWSPAPERS AND JOURNALISM
2.1.2. BOOKS, COMICS, MAGAZINES, AND THE PUBLISHING INDUSTRY
2.1.3. PHOTOGRAPHY AND TIMELESS IMAGE CONCEPTS
2.2. FRAMING AND LISTENING
2.2.1. EVOKING IMAGINATION
2.2.2. RADIO
3. AESTHETICS OF NEW MEDIA
3.1. TRANSITIONING MEDIA, TRANSITIONING USERS
3.1.1. DIGITAL NATIVE
3.1.2. DIGITAL IMMIGRANT
3.2. DECONSTRUCTING NEW MEDIA
3.2.1. NEW MEDIA TECHNOLOGY: CONVERGENCE AND
3.2.2. NEW MEDIA AS MULTIMEDIA
3.2.3. NEW MEDIA TRANSITIONS: FROM SYNERGY TO TRANSMEDIA
3.3. INTERSECTING TRADITIONAL MEDIA AND NEW MEDIA
3.3.1. JOURNALISM + INTERNET = BLOGGING
3.3.2. BROADCASTING + INTERNET = PODCAST
3.3.3. FILM + INTERNET = YOUTUBE
4. AESTHETICS OF SOCIAL NETWORKING
4.1. RELEVANCE OF SOCIAL MEDIA IN TODAY'S SOCIETY
4.1.1. PERSONAL COMMUNICATION
4.1.2. BUSINESS AND CUSTOMER CARE TOOL
4.1.3. SOCIAL SERVICE AND GOVERNANCE
4.1.4. EDUCATIONAL TOOLS
4.1.5. ADVOCACY CAMPAIGN FOR SOCIAL CHANGE
4.1.6. TRADITIONAL MEDIA COVERAGE AND SOCIAL MEDIA ENHANCEMENT
4.1.7. ENTERTAINMENT PORTAL
4.2. DEEPER UNDERSTANDING OF SOCIAL MEDIA
4.2.1. KINDS OF SOCIAL MEDIA AND ITS VARYING USES