1. Aesthetics of New Media
1.1. New Media
1.1.1. Convergence and Characteristics
1.1.1.1. Digital
1.1.1.2. Digital Single Lens Reflex
1.1.1.3. Internet Radio
1.1.2. Multimedia
1.1.2.1. Mobile Smartphones
1.1.2.2. Computer Tablets
1.1.3. Intersecting Traditional Media and New Media
1.1.3.1. Journalism
1.1.3.1.1. +
1.1.3.2. Broadcasting
1.1.3.2.1. +
1.1.3.3. Film
1.1.3.3.1. +
1.1.4. Transitioning Users
1.1.4.1. Digital Native
1.1.4.2. Digital Immigrant
2. Aesthetic of Social Networking
2.1. Kinds of Social Media
2.1.1. Print-Based
2.1.2. Audio-Based
2.1.3. Photo-Based
2.1.4. Video-Based
2.1.5. Social Networking Sites
2.2. Relevance of Social Media
2.2.1. Personal Communication
2.2.2. Business and Customer Care Tools
2.2.3. Social Services and Governance
2.2.4. Educational Tools
2.2.5. Advocacy Campaigns for Social Changes
3. Aesthetic of the Image, Text, and Audio
3.1. Text
3.1.1. Framing and Reading
3.1.1.1. Newspaper and Journalism
3.1.1.2. Books, Comics, Magazines, and the Publishing Industry
3.2. Audio
3.2.1. Radio and Evoking Imagination
3.2.2. Framing and Listening
3.3. Image
3.3.1. Photography and Timeless Image Concepts
4. Aesthetics of Film and TV
4.1. Film
4.1.1. Modes of Film Production
4.1.1.1. Preproduction Stage
4.1.1.2. Production Stage
4.1.1.3. Postproduction Stage
4.1.2. Film Formats
4.1.2.1. Narrative
4.1.2.2. Documentary
4.1.2.3. Animation
4.1.2.4. Experimental
4.1.3. Image Composition
4.1.3.1. Relationship of object and people
4.1.3.2. The play of light and dark
4.1.3.3. The colors and their pattern
4.1.3.4. The position of the camera and the angles used to frame the subjects
4.1.4. Motion Framing Concepts
4.1.4.1. Zoom
4.1.4.2. Dolly
4.1.4.3. Tilt
4.1.4.4. Truck
4.1.4.5. Pan
4.1.4.6. Focus
4.1.4.7. Pedestal
4.2. TV
4.2.1. Kinds
4.2.1.1. Informative Programming
4.2.1.2. Entertainment Programming
4.2.2. Anatomy and Advertising
4.2.2.1. Commercial Brand Selling
4.3. Crafting Media Messages
4.3.1. Crafting Meaning in Audio Production
4.3.2. Crafting Meaning in Image Production
4.3.3. Crafting Meaning in Audiovisual Production