1. Aesthetics of New Media
1.1. Deconstructing of New Media
1.1.1. New Media Technology: Convergence and Characteristics
1.1.2. New Media as Multimedia
1.1.3. New Media Transitions
1.2. Intersecting Traditional Media and New Media
1.2.1. Journalism + Internet = Blogging
1.2.2. Film + Internet = Youtube
1.2.3. Broadcasting + Internet = Podcast
1.3. Transitioning Media, Transitioning Users
1.3.1. Digital Native
1.3.2. Digital Immigrant
2. Aesthetics of Image, Text, and Audio
2.1. Framing and Reading
2.1.1. Newspaper and Journalism
2.1.2. Books, Magazine, Comics, and the Publishing Industry
2.1.3. Photography and Timeless Image Concept
2.2. Framing and Listening
2.2.1. Radio
2.2.2. Evoking Imagination
3. Aesthetics of Social Networking
3.1. Deeper Understanding of Social Media
3.1.1. Social Media
3.1.2. Kinds of Social Media
3.1.2.1. Print-Based
3.1.2.2. Audio-Based
3.1.2.3. Photo-Based
3.1.2.4. Video-Based
3.1.2.5. Social Networking Sites
3.2. Relevance of Social Media in Today's Society
3.2.1. Personal Communication
3.2.2. Business and Consumer Care Tools
3.2.3. Social Service and Governance
3.2.4. Educational Tools
3.2.5. Advocacy Campaign for Social Change
3.2.6. Traditional Media Coverage and Social Media Enhancement
3.2.7. Entertainment Portal
4. Aesthetics of Film and TV
4.1. The Film Form
4.1.1. Formats of Length of Film
4.1.1.1. Short FIlm
4.1.1.2. Full Lenth Film
4.1.2. Mode of Film Production
4.1.2.1. Preproduction Stage
4.1.2.2. Production Stage
4.1.2.3. Postproduction Stage
4.1.3. Film Formats
4.1.3.1. Narrative
4.1.3.2. Documentary
4.1.3.3. Animation
4.1.3.4. Experimental
4.1.4. File Image Composition
4.1.5. Motion of Framing Concepts
4.2. The TV Form
4.2.1. Kinds of TV Shows
4.2.1.1. Informative Programming
4.2.1.2. Entertainment Programming
4.2.2. TV Show Anatomy and Advertising
4.3. Crafting Media Messages
4.3.1. Audio Production
4.3.2. Image Production
4.3.3. Audiovisual Production