1. BEHAVIORAL
1.1. Communication
1.1.1. Moshing (physical communication)
1.1.1.1. TYPE
1.1.1.1.1. Pogo dance
1.1.1.1.2. Slam dancing
1.1.1.1.3. Circle moshing
1.1.1.1.4. Hard core pit dancing
1.1.1.1.5. Ninja moshing
1.1.1.1.6. Push moshing
1.1.1.2. Algorithm of MOSH-PITS
1.1.1.2.1. Science
1.1.1.2.2. Anthropology
1.1.2. Music
1.1.2.1. Lyrics (verbal communication)
1.1.2.1.1. Mocking concept of power
1.1.2.1.2. ANARCHISM : elimination of power
1.1.2.1.3. LIBERATION
1.1.2.1.4. Reject consumerism
1.1.2.1.5. Inequality in society
1.1.2.1.6. PUNK AS POETRY
1.1.2.1.7. High protest content
1.1.2.1.8. NON-CONFORMITY
1.1.2.1.9. DOGMATIC SYSTEM
1.1.2.1.10. WORKING-CLASS and YOUTH rebellion
1.1.2.1.11. ENVIRONMENTAL context
1.1.2.1.12. NIHILISM
1.1.2.2. Rhythm (feelings communication)
1.1.2.2.1. Espressive form
1.1.2.2.2. Performance and Pose
1.1.2.2.3. Energy transfer to art, culture, politics
1.1.2.2.4. Sonic exxageration
1.1.2.2.5. Expression of BODY
2. VISUAL
2.1. Fashion
2.1.1. DIY
2.1.1.1. Modified clothing
2.1.2. STYLE SYMBOLISM
2.1.2.1. Hair
2.1.2.1.1. non-conformity and expressive
2.1.2.2. Tattoos
2.1.2.3. Piercing
2.1.2.4. Clothing
2.1.2.5. Military boots
2.1.2.5.1. mock military power
2.1.2.6. Metal Chains
2.1.2.6.1. slavery and working class oppression
2.1.2.6.2. Bullet belts
2.1.3. express musical tastes or political views
2.1.3.1. COLOURS
2.1.3.1.1. Beige = DEAD
2.1.3.1.2. Black = VIOLENCE
2.1.3.1.3. Acceptable colours are black, white, red, shocking pink, fluorescent yellow or green
2.2. APPEARANCE AND REALITY
2.2.1. SELF-CREATION
2.2.2. Represent ideal perspective on society
2.2.3. SILENT PROTEST
2.2.3.1. “It’s ok not to be perfect, to show the workings of your life and your mind in your songs and your clothes. And everything you do in life is meaningful on a political level.
2.2.4. Communicate ideas
2.3. IMAGE AND IDEALS
2.4. Language (posters)
2.4.1. Reflect the DIY culture influences on graphic designs
2.4.2. communication style that shared the same ideologies that the movement came to represent.
2.4.3. translate this uncaged angst into a style of cut-and-paste artwork
2.4.4. Chaos of PUNK
2.4.5. ANARCHIST SPIRIT
2.4.5.1. by visually attacking existing compositions and elements that he remixed into violent contrasts in shape, color, and form.
2.4.5.2. modernism, which represented the establishment with its orderly type and graphics,