1. Stakeholders
1.1. Audiences
1.1.1. Modern Minds
1.1.2. Religious Extremist
1.1.3. Underprivileged
1.2. Government Pressures
1.2.1. Censorboard
1.3. Distribution Companies
1.3.1. Cinema Monopoly
1.3.2. Marketing Percentage
2. Issues
2.1. Capital Investement
2.1.1. Quality Content
2.1.1.1. Repetition of Story/Content
2.1.1.2. Poor Equipment
2.1.1.3. Untrained Crew
2.1.2. Star Cast
2.1.2.1. Low Budget Stars
2.1.2.2. Cast selection based on investors
2.1.2.3. Repetition of Old stars
2.1.3. Investor Influence
2.1.3.1. Story/Concept
2.1.3.2. Shooting Situation
2.1.3.3. Negative Branding
2.2. Cinemascope
2.2.1. Religious Pressure Groups
2.2.2. Social Pressure Groups
3. Solutions
3.1. Investment
3.1.1. Crowd Funding
3.1.2. Association for Funds Formation
3.2. Cinemascope
3.2.1. Market Research for Content
3.2.2. Safeguarding Social Norms
3.2.3. Film Series
3.2.4. Call for Participation
3.2.5. Crowd Sourcing
3.3. Monopoly
3.3.1. Establishing Online Media
3.3.2. Support from Existing Online Platforms e.g Netflix
3.3.3. Quality Content
3.4. Govt. Pressures
3.4.1. Censor Board Certification
3.4.2. Seminars for Awareness
3.4.3. Media Freedom Campaigns