1. the End of TV
1.1. definition Katz television
1.1.1. 1) technological apparatus
1.1.1.1. Tv today has changed all the elements of Katz defintion
1.1.2. 2) embedded in social institution
1.1.3. 3) repertoire of output (content)
1.1.4. 4) typical "situations of contact"
2. Transnational television
2.1. Positive about localization
2.1.1. Keulen and Krijnen critic localization studies. International interact, television is both local and global.
2.1.2. Arguments dismiss the possible homogenizing effect of the internation TV format trade.
3. Copyright
3.1. All rights must be controlled
3.2. No rights must be controlled
3.3. Creative commons stand in the middle of all rights and no rights (Lessig)
4. Convergence culture
4.1. - Multiple media channels
4.2. - Multiple ways of accessing
4.3. - Complex relations top-down corporate media and bottom-up participatory culture
4.4. Democratic television (Albert Core)
4.4.1. +
4.4.1.1. Jenkins: Utopian
4.4.2. -
4.4.2.1. Critical pessimists: media critics (Crispin Miller, Noam Chomsky, Robert McChesney)
4.4.2.2. Andrejevic: formats exploit the promise of democratization
4.4.2.3. Cara Mertez
4.5. Convergence is crucial for legitimation (Newman)
4.5.1. File-sharing
4.5.1.1. Cultural status TV has improved (Newman)
5. Transmedia and active audiences
5.1. "Addictive comprehension" (Jenkins)
5.2. + self-expression, social communciation, participation, cooperation between prosumers
5.2.1. Jenkins
5.2.2. "culturalists"
5.2.3. Vidding
5.3. - exploitation of participation form audience labor
5.3.1. Political economists
5.3.2. Andrejevic; Terranova
5.4. +/- integratvie approach
5.4.1. Hardy