MEDIA INFORMATION AND LITERACY
by princess ibasco
1. LESSON 3 UNDERSTANDING MEDIA: AESTHETICS OF THE IMAGE, TEXT AND AUDIO
1.1. 3.1 FRAMING AND READING
1.2. 3.1.1 NEWSPAPERS AND JOURNALISM
1.3. 3.1.2 BOOKS COMICS, MAGAZINES AND THE PUBLISHING INDUSTRY
1.4. 3.1.3 PHOTOGRAPHY AND TIMELESS IMAGE CONCEPT
1.5. 3.2 FRAMING AND LISTENING
1.6. 3.2 FRAMING AND LISTENING
1.7. 3.2.1 RADIO AND EVOKING IMAGINATION
1.8. TASK 3: PAST THE MESSAGE!
2. 6.1.2 KINDS OF SOCIAL MEDIA AND ITS VERIFYING USES
3. 2.4.3 COMMUNITY MEDIA
4. New Topic
5. LESSON 6 UNDERSTANDING MEDIA: AESTHETICS OF SOCIAL NETWORKING
5.1. 6.1 DEEPER UNDERSTANDING OF SOCIAL MEDIA
5.2. 6.1.1 WHAT IS SOCIAL NETWORKING?
5.3. 6.1.2 KINDS OF SOCIAL MEDIA AND ITS VERIFYING USES
5.4. 6.1.2.1 PRINT-BASED
5.5. 6.1.2.2 AUDIO-BASED
5.6. 6.1.2.3 PHOTO-BASED
5.7. 6.1.2.4 VIDEO-BASED
5.8. 6.1.2.4 VIDEO-BASED
5.9. 6.1.2.5 SOCIAL NETWORKING SITES
5.10. 6.2 RELEVANCE OF SOCIAL MEDIA IN TODAY'S SOCIETY
5.11. 6.2 RELEVANCE OF SOCIAL MEDIA IN TODAY'S SOCIETY
5.12. 6.2.1 PERSONAL COMMUNICATIONS
5.13. 6.2.2 BUSINESS AND CUSTOMER CARE TOOLS
5.14. 6.2.3 SOCIAL SERVICES AND GOVERNANCE
5.15. 6.2.3 SOCIAL SERVICES AND GOVERNANCE
5.16. 6.2.4 EDUCATION TOOLS
5.17. 6.2.5 ADVOCACY COMPAIGNS FOR SOCIAL CHANGE
5.18. 6.2.6 TRADITIONAL MEDIA COVERAGE AND SOCIAL MEDIA ENCHANMENT
5.19. 6.2.7 ENTERTAINMENT PORTALS
5.20. TASK 6 SHOW YOUR SOCIAL MEDIA SURFING SKILLS!
6. LESSON 4 UNDERSTANDING MEDIA: AESTHETICS OF FILM AND TV
6.1. 4.1 THE FILM FORM
6.2. 4.1.1 MODELS OF FILM PRODUCTION
6.3. 4.1.2 FILM FORMATS
6.4. 4.1.2.1 NARRATIVE
6.5. 4.1.2.2 DOCUMENTARY
6.6. 4.1.2.3 ANIMATION
6.7. 4.1.2.3 ANIMATION
6.8. 4.1.2.4 EXPERIMENTAL
6.9. 4.1.3 FILM IMAGE COMPOSITION
6.10. 4.1.3 FILM IMAGE COMPOSITION
6.11. 4.1.4 MOTION FRAMING CONCEPTS
6.12. 4.2 THE TV BROADCAST
6.13. 4.2 THE TV BROADCAST
6.14. 4.2.1 THE KINDS OF TV SHOWS
6.15. 4.2.1.1 INFORMATIVE PROGRAMMING
6.16. 4.2.1.2 ENTERTAINMENT PROGRAMMING
6.17. 4.2.2 TV SHOW ANATOMY AND ADVERTISING
6.18. 4.3 CRAFTING MEDIA MESSAGES
6.19. 4.3.1 CREATING MEANING IN AUDIO PRODUCTION
6.20. 4.3.2 CREATING MEANING IN IMAGE PRODUCTION
6.21. 4.3.2 CREATING MEANING IN IMAGE PRODUCTION
6.22. 4.3.3 CREATING MEANING IN AUDIOVISUAL PRODUCTION
6.23. TASK 4 DO YOU GET THE MESSAGE?
7. LESSON 5 UNDERSTANDING OF MEDIA: AESTHETICS OF NEW MEDIA
7.1. 5.1 DECONSTRUCTING NEW MEDIA
7.2. 5.1 DECONSTRUCTING NEW MEDIA
7.3. 5.1.1 NEW MEDIA TECHNOLOGY: CONVERGENCE AND CHARACTERISTICS
7.4. 5.1.2 NEW MEDIA AS MULTIMEDIA
7.5. 5.1.3 NEW MEDIA TRANSITIONS: FROM SYNERGY TO TRANSMEDIA
7.6. 5.1.3 NEW MEDIA TRANSITIONS: FROM SYNERGY TO TRANSMEDIA
7.7. 5.2 INTERSECTING TRADITIONAL MEDIA AND NEW MEDIA
7.8. 5.2.1 JOURNALISM + INTERNET = BLOGGING
7.9. 5.2.2 BROADCASTING + INTERNET = PRODCAST
7.10. 5.2.3 FILM + INTERNET = YOUTUBE
7.11. 5.3 TRANSITIONING MEDIA, TRANSITIONING USERS
7.12. TASK 5 DONT BE A TECHNOPHOBE!
8. LESSON 1 WHAT IS MEDIA?
8.1. 1.1 DEFINING "MEDIA"
8.2. 1.1.1 THE COMMUNICATION PROCESS
8.3. 1.1.2 THE FEEDBACK MECHANISM
8.4. 1.1.3 MEDIA IS AN INFORMATION INDUSTRY
8.5. 1.1.4 MEDIA AS A CULTURE OF ENTERTAINMENT
8.6. 1.2 KINDS OF MEDIA
8.7. 1.2.1 TRADITIONAL MEDIA
8.8. 1.2.2 NEW MEDIA
8.9. 1.2.3 SOCIAL MEDIA
8.10. 1.2.4 MOBILE COMMUNICATIONS TECHNOLOGY
8.11. 1.2.5 RELATED AND EMERGING TECHNOLOGIES
8.12. TASK 1. INDENTIFY YOUR MEDIA HABITS.
9. LESSON 2 MEDIA THEN AND NOW
9.1. 2.1 BRIEF HISTORY OF MEDIA
9.2. 2.1.1 PRE-INDUSTRIAL AGE
9.3. 2.1.3 ELECTRONIC AGE
9.4. 2.1.4 DIGITAL AGE
9.5. 2.2 BRIEF HISTORY OF PHILIPPINE MEDIA
9.6. 2.2.1 PRE-COLONIAL TRACES
9.7. 2.2.2 THE POINT INDUSTRY AND FILIPINO FREEDOM
9.8. 2.2.3 THE EUROPEAN FILM IMPORT
9.9. 2.2.4 THE BROADCAST INDUSTRY
9.10. 2.2.5 LOCAL ONLINE MEDIA
9.11. 2.3 THE STATE OF MEDIA TODAY
9.12. 2.3.1 FROM GLOBALIZATION TO GLOCALIZATION
9.13. 2.3.2 THE LOCAL LANDSCAPE
9.14. 2.3.2 THE LOCAL LANDSCAPE
9.15. 2.4 MEDIA OWNERSHIP
9.16. 2.41 MAINSTREAM MEDIA
9.17. 2.4.2 ALTERNATIVE AND INDEPENDENT MEDIA
9.18. 2.4.4 STATE-OWNED MEDIA
9.19. 2.4.3 COMMUNITY MEDIA
9.20. TASK 2. IDENTIFY YOUR MEDIA FAVORITES
