1. Aesthetics of Film & TV
1.1. The Film form
1.1.1. Two Formats of Length of a Film
1.1.1.1. Short Film
1.1.1.2. Feature Length or Full Length Film
1.1.2. Modes of Film production
1.1.2.1. Pre-production stage
1.1.2.2. Production stage
1.1.2.3. Post production stage
1.1.3. Film formats
1.1.3.1. Narrative
1.1.3.2. Documentary
1.1.3.3. Animation
1.1.3.4. Experimental
1.1.4. Film Image composition
1.1.5. Motion of Framing concept
1.2. The TV Broadcast
1.2.1. Kinds of TV show
1.2.1.1. Informative programming
1.2.1.2. Entertainment programming
1.2.2. TV show anatomy & Advertisment
1.3. Crafting Media message
1.3.1. Audio production
1.3.2. Image production
1.3.3. Audiovisual production
2. Aesthetics of social networking
2.1. Deeper understanding of Social Media
2.1.1. Social media
2.1.2. Kinds of Social Media & its varying uses
2.1.2.1. Print based
2.1.2.2. Audio based
2.1.2.3. Photo based
2.1.2.4. Video based
2.1.2.5. Social networking sites
2.2. Relevance of Social Media in today's society
2.2.1. Personal communication
2.2.2. Business & Customer care tool
2.2.3. Social Service & Governance
2.2.4. Educational tools
2.2.5. Advocacy Campaign for Social Change
2.2.6. Traditional Media Coverage & Social Media Enhancement
2.2.7. Entertainment Portal
3. Aesthetics of New Media
3.1. Deconstructing New Media
3.1.1. New Media Technology: Convergence & Characteristics
3.1.2. New Media as Multimedia
3.1.3. New Media transition: from Synergy to Transmedia
3.2. Intersecting Traditional Media & New Media
3.2.1. Journalism + Internet = Blogging
3.2.2. Broadcasting + Internet = Podcast
3.2.3. Film + Internet = Youtube
3.3. Transitioning Media & Transitioning users
3.3.1. Digital Native
3.3.2. Digital Immigrant
4. Aesthetics of the Text, Image & Audio
4.1. Framing & Reading
4.1.1. Newspaper & Journalism
4.1.2. Books , Comics & the Publishing Industry
4.1.3. Photography & Timeless Image Concept
4.2. Framing & listening
4.2.1. Radio
4.2.2. Evoking Imagination