1. Intangible Heritage
1.1. Hindu Mythology
1.1.1. Magic Realism
1.1.1.1. deity/worshipper
1.1.1.1.1. darshan
1.1.1.2. monkeys/human
1.1.1.2.1. reciprocal process
2. Theoretical considerations
2.1. Symmetrical Archaeology
2.1.1. phenomenology
2.1.1.1. devotional site
2.1.1.2. viewer's subjective experience
2.1.2. embodiment
2.1.2.1. sensorium
2.1.2.2. enactment
2.1.2.3. immersion
2.1.3. corpothetics
2.1.3.1. darshan
2.1.3.2. somatic solidarity
2.1.4. mediation
2.1.4.1. "intertwining of people and things"
2.1.4.2. co-evolving narrative
2.2. Theories of Presence
2.2.1. presence
2.2.2. co-presence
2.2.3. cultural presence
3. Tangible Heritage
3.1. World Heritage Site - Vijayanagara
3.1.1. historical site/active pilgrimage site
3.1.1.1. cylinder 1
3.1.1.2. cylinder 2
3.1.1.3. cylinder 3
3.1.1.4. cylinder 4
3.1.1.5. cylinder 5
3.1.1.6. cylinder 6
3.1.1.7. cylinder 7
3.1.1.8. cylinder 8
3.1.1.9. cylinder 9
3.1.1.10. cylinder 10
3.1.1.11. cylinder 11
3.1.1.12. cylinder 12
3.1.1.13. cylinder 13
3.1.1.14. cylinder 14
3.1.1.15. cylinder 15
3.1.1.16. cylinder 16
4. Technologies
4.1. platform
4.1.1. AVIE
4.1.1.1. omnistero
4.1.1.1.1. 360 degrees
4.2. interactive cinema
4.2.1. visual
4.2.1.1. stereo panoramic video
4.2.1.1.1. stereo panoramic photography
4.2.1.1.2. composted CG stereo images
4.2.1.2. ultra high res panoramas
4.2.1.2.1. 16 cylinders
4.2.2. sonic
4.2.2.1. ambisonic site recordings
4.2.2.2. Carnatic compositions
4.2.2.2.1. Dr L. Subramanian
4.2.3. algorithmic
4.2.3.1. 3D animation
4.2.3.1.1. CGI
4.2.3.2. artificial intelligence
4.2.3.2.1. scripts
4.2.3.3. mapping and transformation
4.2.3.3.1. 3 narrative spaces conjoined
4.3. user interface
4.3.1. navigation
4.3.1.1. DEM (data terrain model)
4.3.1.1.1. shakira mandala
4.3.2. microphone captures users' sounds
4.3.2.1. triggers 3D text on screen
4.3.2.1.1. enlglish
4.3.2.1.2. sanskrit