1. FILM & TV
1.1. FILM FORM
1.1.1. FILM FORMATS
1.1.1.1. NARRATIVE
1.1.1.2. DOCUMENTARY
1.1.1.3. ANIMATION
1.1.1.4. EXPERIMENTAL
1.1.2. FILM IMAGE COMPOSITION
1.1.3. MOTION FRAMING CONCEPTS
1.1.4. MODES OF FILM PRODUCTION
1.1.4.1. PRE-PRODUCTION
1.1.4.2. PRODUCTION
1.1.4.3. POST-PRODUCTION
1.2. TV BROADCAST
1.2.1. KINDS OF TV SHOWS
1.2.1.1. INFORMATIVE PROGRAMMING
1.2.1.2. ENTERTAINMENT PROGRAMMING
1.2.2. TV SHOW ANATOMY AND ADVERTISING
1.3. CRAFTING MEDIA MESSAGE
1.3.1. AUDIO PRODUCTION
1.3.2. IMAGE PRODUCTION
1.3.3. AUDIOVISUAL PRODUCTION
2. TEXT, AUDIO, IMAGE
2.1. FRAMING AND READING
2.1.1. NEWSPAPER & JOURNALISM
2.1.2. BOOKS, COMICS &THE PUBLISHING INDUSTRY
2.1.3. PHOTOGRAPHY & TIMELINE IMAGE CONCEPT
2.2. FRAMING AND LISTENING
2.2.1. RADIO
2.2.2. RADIO AND EVOKING IMAGINATION
3. NEW MEDIA
3.1. DECONSTRUCTING NEW MEDIA
3.1.1. NEW MEDIA TECHNOLOGY: CONVERGENCE & CHARACTERISTICS
3.1.2. NEW MEDIA AS MULTIMEDIA
3.1.3. NEW MEDIA TRANSITION: FROM SYNERGY TO TRANSMEDIA
3.2. INTERSECTING TRADITIONAL MEDIA & NEW MEDIA
3.2.1. JOURNALISM + INTERNET= BLOGGING
3.2.2. BROADCASTING + INTERNET= PODCAST
3.2.3. FILM + INTERNET =YOUTUBE
3.3. TRANSITIONING MEDIA & TRANSITIONING USERS
3.3.1. DIGITAL NATIVE
3.3.2. DIGITAL IMMIGRANT
4. SOCIAL NETWORKING
4.1. KINDS OF SOCIAL MEDIA
4.1.1. PRINT BASED
4.1.2. PHOTO-BASED
4.1.3. VIDEO-BASED
4.1.4. SOCIAL NETWORKING SITES
4.2. RELEVANCE OF SOCIAL MEDIA IN TODAY'S SOCIETY
4.2.1. PERSONAL COMMUNICATION
4.2.2. BUSINESS AND CUSTOMER CALL
4.2.3. SOCIAL SERVICES AND GOVERNMENT
4.2.4. EDUCATIONAL TOOLS
4.2.5. ADVOCACY CAMPAIGN FOR SOCIAL CHANGE
4.2.6. TRADITIONAL MEDIA COVERAGE & SOCIAL MEDIA ENCHANCEMENT
4.2.7. ENTERTAINMENT PORTAL