1. HISTORY
1.1. HISTORICAL TIMELINE ON THE DEVELOPMENT OF PHOTOGRAPHY IN THE GLOBAL CONTEXT
1.1.1. 19TH CENTURY: PINHOLE CAMERA/ CAMERA OBSCURA
1.1.1.1. ARTS AND ENTERTAINMENT
1.1.1.2. IBN AL-HAYTHAM
1.1.2. 1825 : FIRST PHOTOGRAPH
1.1.2.1. JOSEPH-NICÉPHORE NIÉPCE
1.1.2.2. HELIOGRAPHY
1.1.2.3. FIRST PHOTO PICTURE
1.1.3. 1829 : DAGUERREOTYPE
1.1.3.1. LOUIS-JACQUES-MANDÉ DAGUERRE
1.1.3.2. CLEARER PHOTOGRAPH
1.1.4. 1841 : CALOTYPE
1.1.4.1. WILLIAM HENRY FOX TALBOT , 1840s
1.1.4.2. NEGATIVE-POSITIVE PHOTOGRAPHIC PROCESS
1.1.5. 1850s : TINTYPES/ FERROTYPES
1.1.6. 1850s : COLLODION PROCESS
1.1.6.1. FREDERICK SCOTT ARCHER
1.1.7. 1880s : KODAK: GEORGE EASTMAN
1.1.7.1. KODAK CAMERA
1.1.8. 1926: POLARIODS
1.1.8.1. EDWIN H. LAND
1.2. HISTORICAL TIMELINE ON THE DEVELOPMENT OF VISUAL COMMUNICATION IN THE GLOBAL CONTEXT
1.2.1. CAVES AND STONES
1.2.1.1. PAINTINGS
1.2.2. HIEROGLYPHICS
1.2.2.1. EGYPTIANS
1.3. HISTORICAL TIMELINE ON THE DEVELOPMENT OF PHOTOGRAPHY IN THE PHILIPPINE CONTEXT
1.4. HISTORICAL TIMELINE ON THE DEVELOPMENT OF VISUAL COMMUNICATION IN THE PHILIPPINE CONTEXT
1.4.1. SPANISH
1.4.1.1. 1841: DON SINIBALDO DE MAS
1.4.1.2. 1875: MESTIZA-SANGLEY FILIPINA
1.4.1.3. 1896:MANUEL ARIAS RODRIGUEZ
1.4.2. AMERICAN
1.4.2.1. 1898: LEGITIMIZATION OF AMERICA'S COLONIAL CONTROL
1.4.2.1.1. 1899: ANTHROPOLOGY
1.4.2.1.2. SURVEILLANCE
1.4.2.1.3. PROPAGANDA
1.4.3. FILIPINO-CENTERED IMAGES
1.4.3.1. 1930s: INDIGENIZATION OF PHOTOGRAPHY IN THE PHILIPPINES
1.4.3.2. 1935-1941: COMMONWEALTH PERIOD
2. DEFINITION OF TERMS
2.1. CALOTYPE
2.2. CAMERA
2.3. CAMERA OBSCURA
2.4. CAMERA LUCIDA
2.5. COLLOIDON PROCESS
2.6. CYANOTYPE
3. ETHICS
3.1. PHOTOGRAPHY
3.1.1. IMAGE THEFT
3.1.2. PHOTO PLAGIARISM
3.1.3. AUTONOMY
3.1.4. NON-MALEFIENCE
3.1.5. BENEFIENCE
3.1.6. FIDELITY
3.1.7. JUSTICE
3.2. VISUAL COMMUNICATION
3.2.1. MISINTERPRETATION
3.2.2. TOUCHING UP GRAPHICS
3.2.3. GRAPHICS AND LOGICAL FALLACIES
3.2.3.1. HASTY GENERALIZATION
3.2.3.2. ARGUMENT FROM AUTHORITY
3.2.3.3. PERSONAL ATTACK
3.2.4. FAIR USE AND PLAGIARISM
3.2.4.1. BASICS OF EDUCATIONAL FAIR USE
3.2.4.2. PERMISSIONS AND COMMERCIAL USE
4. ISSUES
4.1. PHOTOGRAPHY
4.1.1. LEGAL ISSUES
4.1.1.1. SHOOTING PEOPLE ON THE STREET
4.1.1.2. WATERMARKS AND COPYRIGHT INFRINGEMENT
4.1.1.3. RUNNING A PHOTOGRAPHY BUSINESS
4.1.1.4. MODELS, CONTRACTS AND CONSENT FORMS
4.1.1.5. PRIVATE PROPERTY AND SHOOT LOCATIONS
4.1.2. .
4.1.3. TECHNICAL ISSUES
4.1.3.1. EXPOSURE-CLIPPING
4.1.3.2. EXPOSURE NOISE
4.1.3.3. WHITE BALANCE-WRONG COLOR
4.1.3.4. SHARPNESS-FOCUSING AND SHUTTER SPEED
4.1.3.5. DIRTY SENSOR- DUST BUNNIES
4.1.3.6. RAW VS JPG
4.1.3.7. HDR
4.1.3.8. PHOTOSHOP
4.2. VISUAL COMMUNICATION
4.2.1. .
4.2.2. REPRESENTATION
4.2.3. MISLEADING
4.2.4. COSTLY