1. Transition
1.1. Moment to Moment
1.1.1. Simultaneous dialogue exchange between all three of the characters, lack of delay or pause within the plot. Minimal closure.
1.2. Subject to Subject
1.2.1. Could be debated due to the dialogue being exchanged in regards to the same subject, lack of alteration or essential moment in time.
2. Gesture and Posture
2.1. Head
2.1.1. Finely detailed, texture of each character's head depicted with detailed lines and varied lengths.
2.2. Eyes
2.2.1. Enid and Rebecca portray themselves as desperate or begging, yet their intentions are to antagonize Josh. Josh has the expression of slight disgust.
2.3. Hands and Arms
2.3.1. Rebecca's arm has an implied line art method, which her hand is not presented or drawn due to it being behind Josh's back.
2.3.2. Enid has one arm presented or drawn, and it is placed on Josh's shirt.
2.3.3. Josh's arms are slightly presented, hands are off of the panel.
3. Built World
3.1. Clothing
3.1.1. Enid and Rebecca have white shirts or lack of color on in regards to their attire, while Josh has a polka dotted shirt to signify his importance of him being the topic of within the dialog.
3.2. Status
3.2.1. Reflects upon current day society, yet the date of establishment could be debated due to the alternating clothing styles of Enid that were possibly presentable during the time era.
4. The Drawings
4.1. Color
4.1.1. Black and green color scheme presented throughout the graphic novel, black is used for Enid's hair and Josh's shirt.
5. Natural World
5.1. Earth Objects
5.1.1. Background or negative space is the setting of a suburban area with building and fences.
5.2. Atmosphere
5.2.1. Tone is presented as Enid and Rebecca being humorous to present comic relief, yet Josh's facial expression depicts his uncomfortable reaction towards the female character's question.
6. Language
6.1. Dialogue
6.1.1. Tone and volume of the exchange between all three of the characters does not depict as being with loud intent, only emphasis on the words "you" and "please" with bold letters.
7. Facial Expression
7.1. Emotion Expressed
7.1.1. Stressed
7.1.2. Disgust
7.1.3. Confusion
7.1.4. Anxious
7.2. Intensity Scoring
7.2.1. Brow Lowerer
7.2.1.1. D: Severe, shows sadness or stress that Enid and Rebecca feign, in hopes of antagonizing Josh with teasing him with asking awkward or obscure questions.
7.2.1.2. C: Josh's brow is quite large in comparison, yet he shows slight disgust with the question being asked of him.
7.2.2. Inner Eyebrow Lowerer
7.2.2.1. D: Severe, eyebrows cannot be shown through Enid's glasses, yet the implied line art method signifies her feigned sadness or stress by attempting to trick Josh with her facial expression. Rebecca has a lowered brow to signify a sad emotion.
7.2.2.2. C: Marked or pronounced, Josh's eyebrow are lowered and his slightly disgusted expression signifies his reaction of the conversation.
7.2.3. Lips/Mouth
7.2.3.1. B: Enid's lips are slightly close together, as she speaks to Josh and maintains the anxious expression on her face. Josh's lips remain slightly opened, or towards each other, to signify his uncomfortable reaction as if he was "talking through his teeth" (teeth clenched).
8. The Shot
8.1. Distance
8.1.1. Close up, provided a perspective as if the audience is in front of the characters as they speak. Audience can improve their self involvement within the scenario of the plot.
8.2. Interaction
8.2.1. Point of view in relevancy with the characters, provides self involvement in the text with the notion of the reader being positioned in front of the characters as they speak.
8.3. Angle
8.3.1. Straight
8.3.1.1. Could be debated as a straight angle, which the audience is exposed a vertical panel of the characters and the setting, which they are close to the audience.
8.3.2. Low Angle
8.3.2.1. Could be debated due to the audience having the benefit of "looking up" at the characters, along with having a sense of the surroundings amongst them.