1. Research
1.1. Photographers / Artists
1.1.1. Petra Collins
1.1.2. Shaira Luna
1.1.3. Molly Matalon
1.1.4. Juno Calypso
1.1.5. Nan Goldin
1.1.6. Cindy Sherman
1.1.7. Leah Schrager
1.1.8. Helmut Newton
1.1.9. Sarah Lucas - Sod You Gits
1.1.10. Sofia Coppola
1.1.11. Exploring Art
1.1.11.1. Anja Salonen - The Indolent Gaze
1.1.11.2. Memling - Vanity
1.1.11.3. Manet - Olympia, Dejeuner Sur L'Herbe
1.1.11.4. Balthus - Girl and Cat
1.1.11.5. Fragonard - The Swing
1.1.11.6. Freud - Girl with a White Dog
1.1.11.7. Gentileschi - Judith and Holofernes
1.1.11.8. Ingres - The Bather of Valpincon, The Turkish Bath
1.1.11.9. Hunt - The Awakening Conscience
1.1.11.10. John - The Precious Book
1.1.11.11. Trace - Jenny Saville
1.2. Online
1.2.1. Calvin Klein - FKA Twigs / Jeremy Allen White gender bias
1.2.2. Laura Mulvey - Visual Pleasure and Narrative Cinema, 1975
1.2.3. Different examples of the male / female gaze in the media: social media, movies, games, books, magazines, perfume advertisements, old levis ad
1.2.4. 'Page 3'
1.2.5. The internal male gaze
1.2.6. The dangers of the male gaze
1.2.7. Voyeurisms
1.2.8. Ways of Seeing - John Berger (more specifically the second episode)
1.3. Books
1.3.1. Seduced by Art
1.3.2. The Photograph as Contemporary Art
2. GAZE
2.1. The Male Gaze
2.1.1. "A manner of treating women's bodies as objects to be surveyed, which is associated by feminists with hegemonic masculinity, both in everyday social interaction and in relation to their representation in visual media: see also objectification." (Oxford Reference)
2.1.2. The male characters seen on screen have the role of the 'Ego Ideal', so that the men watching have an idea of the male that they would like to become.
2.2. The Female Gaze
2.2.1. "The ways in which women and girls look at other females, at males, and at things in the world. This concerns the kinds of looking involved, and how these may be related to identification, objectification, subjectivity, and the performance and construction of gender. See also gaze." (Oxford Reference)