1. PIVOT.ro ARCHIVE based on the belief that every single idea dies into a new one!
1.1. INTERVIEWS
1.1.1. THE ELEPHANT PROJECT
1.1.2. YOUNG AND COOL
1.2. ONE MINUT IDEA
1.2.1. OBJECTS
1.3. KOLLAR - FAMILLY
1.3.1. seara de dans
1.3.1.1. tango
1.3.2. SCREEN TIME
1.3.2.1. SCREENING
1.3.2.2. ONE MOVIE SUGGESTION TAB
1.3.3. BUILDINGMAN
1.3.3.1. A NEW WAY OF DOING THINGS
1.3.4. LOCATION
1.3.4.1. IMAGE
1.3.4.1.1. CURTE
1.4. the concept of using (parts of) projects and reintegrating them in another context. we try to make things that aspire to become
1.5. BIOGRAPHY
1.5.1. LEADERSHIP
1.5.2. 900_TEAM
1.5.3. JOIN US
1.5.3.1. JOBS
1.5.3.2. VOLUNTARIAT
1.5.4. SHOP
1.5.5. CONTACT
1.5.5.1. BUILDINGMAN
1.5.5.2. NEWs
2. technical drawings
2.1. liniar vertical circulation
2.1.1. integration with the sloping terrain
2.1.1.1. the structure was ferm, ritmicat, and shaped the presence of the house on the plot. a grid of columns and slabs along east, south and west facades. in the north, the stair was attached to the main structure and closed off to the exterior by a glass translucent wall.
2.1.2. integration of each floor with the sloping internal stair
2.1.3. somehow the house is moving with the land, in the direction of the slope.
3. text
3.1. h o w i t a l l s t a r t e d
3.1.1. WITH A FASCINATING PERSON AS A CLIENT! A MATHMATECIAN, DIFFERENT FROM EVERYBODY, WITH A UNIQUE WAY OF BEEING IN GENERAL.
3.1.1.1. WANTING TO BUILD A HOUSE FOR HIS FAMILY.
3.1.1.2. HE OWNED A PIECE OF LAND ON A SMALL HILL.
3.2. LOCATION
3.2.1. c o n t e x t
3.2.1.1. I KNOW THE PLACE VERY WELL, I GREW UP THERE AND I WITNESED ITS HISTORY IN THE MAKING.
3.2.1.1.1. " A LOT OF PEOPLE WALKED BAREFOOT BETWEEN NAVODARI AND MAMAIA IN THE SUMMER TIME ON THE BEACH. "
3.2.1.2. IN THE '90S, ALMOST NOTHING WAS built THERE.
3.2.1.2.1. A VILLAGE AT ONE END - mamaia sat
3.2.1.2.2. NAVODARI childrens summer camp AT THE OTHER
3.2.1.2.3. BETWEEN THE SEA AND THE danube river - black sea CANAL
3.2.1.2.4. WITH THE EXCEPTION OF MAMAIA BULEVARD, EVERYING ELSE WAS N A T U R E
3.2.1.2.5. MAP OF HOW IT LOOKED IN THE '90S
3.2.1.2.6. how it is NOW
3.3. project description
3.3.1. comments
3.3.1.1. write us
3.3.2. i n f o
3.3.2.1. plot size 300 sqm
3.3.2.2. built area 33%
3.3.2.3. main acces Mamaia Boulevard
3.3.2.4. studiu topofrafic
3.3.2.5. BOOK navodari - a city on a rise
3.3.3. DESIGN PROCESS
3.3.3.1. the area was a HOT SPOT FOR PROPERTIES BEING BUILT.
3.3.3.2. WE DECIDED TO START FROM THE IDEA OF MAKING USE OF WHAT WAS THERE AND TRY TO MAKE PEOPLE WALK THE LAND WITH WALKING THEIR HOUSE AT THE SAME TIME.
3.3.3.2.1. THE LAND IS kEY!
3.3.3.2.2. WE DEVELOPED A WAY OF BUILDING DIRECTLY ON THE SURFACE - WITHOUT EXCAVATING A BIG HOLLE IN THE GROUND AND FILL THAT UP AGAIN WITH (PART OF) A BUILDING.
4. geometry
4.1. closing the house towards the north, where we put all the technical and services spaces (bathrooms and vertical circulation - stairs)
4.1.1. and creating a long facade exposed to the sun and light
4.1.2. integration with the sloping terrain
4.1.2.1. liniar vertical circulation
5. the facade has a system of exterior shading that helps also with intimacy needs.
6. motivation
6.1. the category is about what drives us into taking a project on.
6.2. this is important : )
6.3. every time we commit to a project and to a client, we feel the need to make something better.
6.3.1. remark: to be able to make a good project, doing better is mandatory. it is like a standard we use for starting a project.
6.4. not (only) a f transaction!
6.5. w e c a r e d e e p l y a b o u t self m o t i v a t i o n. it starts with ours.
6.6. this is a principiu for both our personal and work life.
7. ARHIVA
7.1. PROJECT LIST
7.1.1. 011_HOUSE SILVIU
7.1.1.1. DRAWINGS
7.1.1.2. IMAGES
7.1.1.3. LOCATION
7.1.1.4. INFO
8. 010_HOUSE VICTOR
8.1. - INTEGRATION OF A HOUSE ON A SLOPING TERRAIN - OPEN THE HOUSE TO THE SOUTH FOR MAXIMUM LIGHT - STRICT SEPARATION BETWEEN DAY AND NIGHT SPACE - LINIAR VERTICAL CIRCULATION THAT CONNECTS GROUND, FIRST AND SECOND FLOOR
8.1.1. IMAGE