1. AESTHETIC OF SOCIAL NETWORKING
1.1. SOCIAL MEDIA
1.1.1. KINDS OF SOCIAL MEDIA
1.1.1.1. PRINT- BASED
1.1.1.2. AUDIO- BASED
1.1.1.3. PHOTO- BASED
1.1.1.4. VIDEO- BASED
1.1.2. RELEVANCE OF SOCIAL MEDIA
1.1.2.1. PERSONAL COMMUNICATION
1.1.2.2. BUSINESS AND CUSTOMER CARE TOOLS
1.1.2.3. SOCIAL SERVICES AND GOVERNANCE
1.1.2.4. EDUCATIONAL TOOLS
1.1.2.5. ADVOCACY CAMPAIGN FOR SOCIAL CHANGE
2. AESTHETIC OF NEW MEDIA
2.1. DECONSTRUCTING NEW MEDIA
2.1.1. NEW MEDIA TECHNOLOGY- CONVERGENCE AND CHARACTERISTICS
2.1.2. NEW MEDIA AS MULTIMEDIA
2.1.3. NEW MEDIA TRANSITION FROM SYNERGY TO TRANSMEDIA
2.2. INTERSECTING TRADITIONAL MEDIA AND NEW MEDIA
2.2.1. JOURNALISM + INTERNET= BLOGGING
2.2.2. BROADCASTING+INTERNET=PODCAST
2.2.3. FILM+INTERNET=YOUTUBE
2.3. TRANSITIONING MEDIA, TRANSITIONING USERS
2.3.1. TYPES OF AUDIENCE LIVING IN A DIGITAL AGE
2.3.1.1. DIGITAL NATIVE
2.3.1.2. DIGITAL IMMIGRANT
3. AESTHETIC OF FILM AND TV
3.1. FORMATS OF LENGTH OF FILM
3.1.1. SHORT FILM
3.1.2. FULL- LENGTH FILM
3.2. STAGES OF VIDEO PRODUCTION
3.2.1. PRE-PRODUCTION
3.2.2. PRODUCTION
3.2.3. POST PRODUCTION
3.3. FILM FORMAT
3.3.1. NARRATIVE
3.3.2. DOCUMENTARY
3.3.3. ANIMATION
3.3.4. EXPERIIMENTAL
3.4. KINDS OF TV SHOW
3.4.1. INFORMATIVE
3.4.2. ENTERTAINMENT
4. AESTHETICS OF THE IMAGE, TEXT AND AUDIO
4.1. FRAMING AND READING
4.1.1. NEWSPAPERS AND JOURNALISM
4.1.2. BOOKS, COMICS, MAGAZINE, AND THE PUBLISHING INDUSTRY
4.1.3. PHOTOGRAPHY AND TIMELESS IMAGE CONCEPTS
4.2. FRAMING AND LISTENING
4.2.1. RADIO
4.2.2. EVOKING IMAGINATION