1.3. Costume: Woman - long sleeve full length A line red dress with bare feet Male - varying coloured shirts and ties
1.4. Actions: curving of the arm and leg, gestures are used to lead, lots of travelling, hair twirling, girly, open and palm outwards, strong sense of gravity
1.5. Dynamics: soft, liquid dynamics are used throughout - sense of innocence and freedom
1.6. Lyrics: "She just can't be chained" "You change with every new day"
1.7. Transitions: men encircle the woman
2. 5. Paint It Black
2.1. 3 women, 1 man
2.2. Themes: depression, self harm, 60s popular dances
2.3. Costume: addition of neckerchief (turns into a whip/boa)
2.4. Lighting: very low, intensifies throughout
2.5. Actions: man's gestures are serpentine - long extensions that wind and curve, repeated curling arms and gestures across head and body, echoes of LRR gestures = aggressive and embellished
2.6. Space: male uses the whole stage, focus on downstage, frequent transitions between levels(rolls, slides, leaps, hops)
2.7. Dynamics: fast powerful, aggressive feel, travelling is fast across the stage, movement of women has a lethargic quality when in unison, countering the quality of the man
3. 7. Play With Fire
3.1. 1 male and 1 woman
3.2. Themes: social dances of the 60s, flirty/courtship, wealth
3.3. Costume: male - suit female - dress + boa (suggests the social standard - "pretty clothes")
3.4. Actions: recurring rooster grooming movements, BOA = flirtatious and suggestive, both wanting attention, contact work
3.5. Lighting: white light, darker edges around the stage = build up
4. 8. Sympathy For The Devil
4.1. Full Cast
4.2. Themes: Devil, Bruce Style, lad culture (60s), youth
4.3. Actions: bows down (motif) "pleased to meet you" repetition of material from previous dances, contact partner work
4.4. Lighting: fully lit, light wash = full cast can be seen, red hue
4.5. Space: whole stage is used, travel extensively (very pedestrianised)
5. 1. Little Red Rooster
5.1. 6 dancers - 5 men and 1 woman
5.2. Themes: male chauvinism, dominance, ego, arrogance, vanity, self-obsession
5.3. Movements: slicking back hair, rooster strut, fixing of tie and shirt
5.4. Lighting: dim white /blue light, when lady enters there's a red tint suggestive/sultry
5.5. Lyrics: "I am the little red rooster""On the prowl" - mating, primal instincts, animalistic
5.6. Relationships: action - reaction, a solo until the lady enters
6. 2. Lady Jane
6.1. 10 dancers - 5 men and 5 women
6.2. Themes: courtship, free love and male chauvinism
6.3. Lyrics: "I pledge myself to Lady Jane" "Your servant am I" - the man is giving up his polyamorous ways to be with Jane, despite his feelings for Anne/Marie, harpsichord/regal feel
6.4. Actions: belittling of women - pats her head, derogatory - smacks bottom, licks lips and lunges towards women, bows/curtsey
6.5. Lighting: general wash with a blue hue to add to the romantic setting
7.3. Movements and actions: flexed feet, hips create distinct body positions, return of the LRR strut, grooming gestures, clapping to highlight the music
7.4. Lyrics: "I wanna tell you how it's gonna be" - male grabs her wrist, stalker chasing girl who is uninterested
7.5. Dynamics: bouncy and staccato with a sense of fluidity
7.6. Lighting: general blue wash lights the whole stage, fades at the end
8. 4. As Tears Go By
8.1. 8 dancers - 4 men and 4 women
8.2. Themes: loneliness, childhood, bullying and rejection
8.3. Lighting: slightly darker blue - reflects lyrics 'evening of the day'
8.4. Actions: muted and simplistic, isolated female 'childlike' actions - squatting and skipping, males use boisterous contact - LRR grooming.
8.5. Dynamics: trio groups have a lazy and fluid feel, accented with sudden stops, isolated female has an awkward staccato feel to her movement
8.6. Space: whole stage used due to lots of dancers, clear groupings reflect theme + easily identify soloists, mostly upright with a repeated
