1. STRUCTURAL ANTHROPOLOGY
1.1. LÉVI-STRAUSS
1.1.1. MYTHEMES
1.1.2. CULTURAL MYHTS
1.1.2.1. OEDIPUS MYTH
1.1.2.2. ADAM'S CREATION
2. SRUCTURALISIM
2.1. ESTRUCTURAL LINGUISTIC
2.1.1. FERDINAND DE SAUSSURE
2.1.1.1. LANGE
2.1.1.2. SMIOTICS
2.1.1.2.1. SIGN
2.1.1.2.2. SIGNIGIED
2.1.1.2.3. SIGNIFIER
2.1.1.3. PAROLE- INDIVIDUAL UTTERANCE
2.2. STRUCTURALISM CRITICIM
2.2.1. structure
2.2.1.1. sistem of clasification
2.2.2. Eagle ton
2.2.2.1. FICTION
2.2.2.2. NON-CRAEATIVE
2.2.2.3. UN-IMAGINATIVE
2.2.2.4. FACTUAL
2.2.2.5. IMAGINATIVE
2.2.2.6. FOCUS IN STRUCTURE NOT CONTENT
2.3. STRUCTURES
2.3.1. SELF-REGULATION
2.3.1.1. BELONGS TO THE SYSTEM
2.3.2. TRANSFORMATION
2.3.2.1. NON STATIC
2.3.3. WHOLENNESS
2.3.3.1. UNIT
3. NARRATOLOGY
3.1. TODOROV
3.1.1. UNITS OF NARRATIVES
3.1.1.1. UN
3.1.1.2. ACTIONS
3.1.1.3. CHARACTERS
3.1.1.4. ATTRICUTES
3.1.1.5. PROPOSITIONS
3.1.1.6. SEQUENCES
3.1.2. UNITS OF LANGUAGE
3.1.2.1. UR
3.1.2.2. VERB
3.1.2.3. NOUNS
3.1.2.4. ADJECTIVES
3.1.2.5. SENTENCES
3.1.2.6. PARAGRAPHS
3.2. GENETTE
3.2.1. STORY
3.2.2. NARRATIVE
3.2.3. NARRATION
3.2.4. TENSE
3.2.4.1. ORDER
3.2.4.2. FREQUENCY
3.2.4.3. DURATION
3.2.5. MOOD
3.2.5.1. DISTANCE
3.2.5.2. PERSPECTION
3.2.6. VOICE
4. LITERATURE
4.1. NORRTHOP FRYE
4.1.1. THEORY OF MODES
4.1.1.1. DEVINE BEINGS
4.1.1.1.1. +KIND
4.1.1.2. HEROES
4.1.1.2.1. +DEGREE´MEN, ENVIRO.
4.1.1.3. LEADERS
4.1.1.3.1. +DEFREE MEN NON ENVIRO
4.1.1.4. COMMON PEOPLE
4.1.1.4.1. NON SUPERIOR
4.1.1.5. ANTIHEROES
4.1.1.5.1. INFERIOR
4.1.2. MYTHOI THEORY
4.1.3. COMEDY
4.1.3.1. SPRING
4.1.4. TRAGEDY
4.1.4.1. AUTUM
4.1.5. ROMANCE
4.1.5.1. SUMMER
4.1.6. RIRONY/SATIRE
4.1.6.1. WINTER
4.2. GREIMANS
4.2.1. GEINRES
4.2.1.1. ACTANT
4.2.1.1.1. SUBJECT-OBJECT
4.2.1.1.2. SENDER-RECEIVES
4.2.1.1.3. HELPER-OPPONENT
4.2.1.2. STUCTURE
4.2.1.2.1. CONTRACTUAL
4.2.1.2.2. PREFORMAMTIVE
4.2.1.2.3. DISJUNTIVE
4.2.2. lLEVELS OF NARRATION
4.2.2.1. STORY
4.2.2.1.1. EVENTS
4.2.2.2. NARRATIVE
4.2.2.2.1. TEXT ITSELF
4.2.2.3. NARRATION
4.2.2.3.1. TELL THE STORY TO AN AUDIENCE
4.2.3. VOICE
4.2.3.1. WHAT STORY TELL US ITSELF
4.2.4. MOOD
4.2.4.1. DISTANCE
4.2.4.1.1. HOW CLOSE IS THE NARRATOR TO THE STROY
4.2.4.2. PERSPECTIVE
4.2.4.2.1. THE ATTITUD TOWARDS THE STRORY
4.2.5. TENSE
4.2.5.1. ORDER
4.2.5.1.1. HOW EVENTS ARE PRESENTED
4.2.5.2. FREQUENCY
4.2.5.2.1. REPETITION OF EVENTS
4.2.5.3. DURATION
4.2.5.3.1. LENGHT OVER TIME PAGES.
5. NARRATIVE INTERPRETATION
5.1. CULLER
5.1.1. LITERARY COMPETENCES
5.1.2. CONVENTION OF DISTANCE -PERSONALITY
5.1.2.1. NEWS PAPER-POETRY
5.1.3. NATURALIZATION
5.1.3.1. SIGNIFICANCE
5.1.3.2. COHERENCE
5.1.3.3. UNITY
5.1.4. RULE OF THEMATIC UNITY
5.1.4.1. METAPHORS COMPONENTS
5.1.5. RULE OF SIGNIFICANCE
5.1.5.1. ASSUMPTION OF ATTITUTED TO PROBLEMS