1. Dr. Diego Bonilla
2. Looking back
2.1. Péndulo 1995
3. Download website's PDF
4. Modular Film
4.1. Uku Pacha (2021): An Immersive Journey into Andean Cosmovision through Virtual Reality
4.1.1. Vancouver International Film Festival, 2021 - Premiere. Short. Sweet. Film Fest, 2022 - Best VR Film. San Francisco Frozen Film Festival, 2022 - Best VR Film. Philadelphia Independent Film Festival, 2022 - Best VR Film. New York City IO Film Festival, 2023 - New Media Award. Humboldt International Film Fest, 2022 - Honorable Mention. L'Intervalli Festival, 2023 - Official Selection. The Chico Independent Film Festival, 2023 - Official Selection. Anne Arbor International Film Festival, 2022 - Official Selection. Chelsea Film Festival, 2022 - Official Selection. deadCenter Film Festival, 2022 - Honorable Mention. Demetera International Short Film Festival, 2022 - Official Selection. Festival ECRÃ, 2022 - Official Selection. AVANCA International Film Festival, 2022 - Official Selection. Florida Film Festival, 2022 - Official Selection. LA Latino International Film Festival, 2022 - Official Selection. ALPINALE Short Film Festival, 2022 - Official Selection. Inca Imperial International Film Festival, 2022 - Official Selection. River Film Festival, 2022 - Official Selection. The Fine Arts Film Festival, 2022 - Official Selection. Brussels International Fantastic Film Festival, 2022 - Official Selection. Festival of International Virtual & Augmented Reality Stories, 2021 - Official Selection. Lusca Fantastic Film Fest, 2021 - Official Selection.
4.2. Big Data (2019): A Generative Video Poem on Personal Information's Infinite Weave
4.2.1. Newlyn PZ International Film Festival 2020, Penzance, United Kingdom (March 2020) ARTS and Sustainable Development Goals Online Festival, Brooklyn, USA (April 2020) Cadence Video Poetry Festival, Seattle, USA (April 2020) Hello World Transcultural Exchange, Boston, USA (June 2020) Athens Digital Arts Festival, Athens, Greece (July-Sep 2020) 4° Festival ECRÃ of Audiovisual Experimentations, Rio de Janeiro, Brazil (Aug 2020) The Banality of Evil in our Daily Lives, Berlin, Germany (Sep-Oct 2020) International Poetry Film Festival of Thuringia, Weimar, Germany (Oct 2020) The 2020 Film and Video Poetry Symposium, Pasadena, USA (Oct-Dec 2020) Festival de Cortometraje Universitario Universidad Vasco de Quiroga, Morelia, México (Nov 2020) Festival Fotogenia Posgrado de Arte y Diseño Universidad Nacional Autónoma de México (Nov 2020) Festival Internacional de Videopoesía Videobardo, Buenos Aires, Argentina (Dec 2021) 9th International Video Poetry Festival, Athens, Greece (March 2021) Experiments in Cinema 16, Albuquerque, USA (May 2021) Formula Mundi, Hochschuke Fulda University of Applied Sciences, Fulda, Germany (June 2021) 2020 Belfast Poetry Festival, Maine, USA (Oct 2021) Festival Internacional de Videopoesía Videobardo, Buenos Aires, Argentina (Dec 2021)
4.3. Accidental Occurrence (2017): Exploring Serendipity through Hypermedia
4.3.1. Pune Short Film Festival, Pune, India (2017) Salón Internacional de la Luz, Colombia, Colombia (2017) CICA Experimental Film & Video Exhibition, South Korea, South Korea (2017) London Greek Film Festival, London, England (2017) NCCC Film Festival, USA, USA (2017) Auckland International Film Festival, Auckland, New Zealand (2017) Digital Big Screen, Slovenia, Slovenia (2017) Golden Bridge, Russia, Russia (2017)
4.4. A Space of Time (2003): Pioneering Non-Linear Multimedia Storytelling
4.4.1. XXVI Moscow International Film Festival, Russia (2004) - 1st Prize, Internet/Multimedia Category. XV Videobrasil International Electronic Art Festival, Brazil (2005) - Honorable Mention. Philadelphia Documentary and Fiction Festival, Pennsylvania, USA (June 2004) - Art Direction Award.
5. Hypermedia Online
5.1. Generative poetry and imagery based on daily femicide news: Requiem Diurnus (2024)
5.2. Programa para Analizar el Discurso de AMLO (2024): Advancing Discourse Analysis through Digital Tools
5.3. Pitched Together (2024): Documenting Grassroots Football (Soccer) in Stereoscopic Virtual Reality
5.3.1. REELS International Film Festival - Award Winner (2024) ORION IFF International Film Festival - Finalist (2024) River Film Festival - Official Selection (2024) Roshani International Film Festival - Official Selection (2024)
5.4. Scholarly Stanzas (2023): Harmonizing Communication Studies with AI-Generated Creativity
5.5. Liber Rotavi – Variaciones de la Creación (2020): Unveiling the Digital Tapestry of Poetry and Time
5.6. Tablada Hipertextual (2020): Unveiling the Dense Network of José Juan Tablada's Poetry
6. Advisory
6.1. Facilitating Access to Open Educational Resources: Contributions to the California OER Council (2014-2016)
6.2. Fostering Global Environmental Collaboration: Developing the Communication Strategy for Agroforestry Research and Knowledge Exchange (2009-2011)
6.3. Developing a Comprehensive News System Proposal for Access Sacramento (2009)
6.4. Evaluating Digital Literacy: Engaging with the ETS iSkills Assessment Initiative (2007 and 2009)
7. Academic Work
7.1. Publications
7.1.1. Books
7.1.1.1. Bonilla, D. & Mata, R. (2020). Tablada Hipertextual: Edición Electrónica de la Poesía Reunida de José Juan Tablada. Mexico City, Mexico: Instituto de Investigaciones Filológicas, Universidad Nacional Autónoma de México. Also author of the prologue “Sobre la importancia del pensamiento computacional y la literatura” (About the importance of computational thinking and literature).
7.1.1.2. Bonilla, D. (2008). Making Sense of Tracking Data: Connecting Interactive Storytelling, Computer Use, and Cognitive Processing. Saarbrücken, Germany: VDM Verlag Dr. Müller e.K.
7.1.1.3. Bonilla, D. & Del Toro, J.J. (1996). Mercadotecnia e Imagen en Internet (Marketing on the Internet). Mexico City, Mexico: Editorial Iberoamérica.
7.1.2. Articles and prologues
7.1.2.1. Bonilla, D. & Galán Fajardo, H. (2020). El cine sin encuadre: propuesta de Escala de Implicación Narrativa en realidad virtual. Anuario Electrónico de Estudios en Comunicación Social “Disertaciones”, Rosario, Argentina.
7.1.2.2. Bonilla, D., & Mata, R. (2020). Big Data. In FLAT Journal. Department of Design Media Arts, University of California, Los Angeles. Retrieved from https://flatjournal.com/work/big-data/
7.1.2.3. Bonilla, D., & Hanley, L. (2016). Atolls, Islands, and Archipelagos: The California OER Council and the New Landscape for Open Education in California. Open Praxis, 8(2), 131-142. doi:10.5944/openpraxis.8.2.287
7.1.2.4. California Open Educational Resources Council. (2016, April 1). White Paper: OER Adoption Study: Using Open Educational Resources in the College Classroom. eScholarship, University of California. https://escholarship.org/uc/item/2z06323g
7.1.2.5. Stoner, M., Higgins, S., & Bonilla, D. (2012). Cracking our own codes: Creating instruction for increased clarity and appropriate control. International Journal of Learning, 18(6), 227-247.
7.1.2.6. Bonilla, D. (2006). La estructura como narrativa: El uso de algoritmos estadísticos para el control de una narrativa hipermedia no lineal. Razón y Palabra, (49).
7.1.2.7. Bonilla, D., & Porto Reno, D. (2009). Cinema Interactivo: Estudios Para Una Posible Propuesta (Interactive Cinema: Inquiries into the Potential) Part I & Part II. Guión Actualidad, Universidad Autónoma De Barcelona, Barcelona, Spain.
7.1.3. Prologues
7.1.3.1. Bonilla, D. (2020). Retos para la creación (y la investigación) de narrativas complejas (Prólogo). In Narrativas Complexas. Portugal: Editorial Ría.
7.1.3.2. Bonilla, D. (2020). Sobre la importancia del pensamiento computacional y la literatura. In D. Bonilla & R. Mata (Eds.), Tablada Hipertextual: Edición Electrónica de la Poesía Reunida de José Juan Tablada. Mexico City, Mexico: Instituto de Investigaciones Filológicas, Universidad Nacional Autónoma de México.
7.2. Discipline-based Presentations
7.2.1. Bonilla, D. (2023). Using Knowledge Graphs for the Advancement and Analysis of Minorities’ Research and Media Representation. Lightning talk presented at ACH 2023. http://ach2023.ach.org/
7.2.2. Bonilla, D. (2023). Using Knowledge Graphs for the Advancement and Analysis of Minorities’ Research and Media Representation. Presented at ACH 2023. https://ach2023.ach.org/.
7.2.3. Bonilla, D. & Galán Fajardo, H. (2020). El cine sin encuadre: Propuesta de Escala de Implicación Narrativa en realidad virtual. Presented at the Anuario Electrónico de Estudios en Comunicación Social “Disertaciones”, Rosario, Argentina.
7.2.4. Bonilla, D. (2020). Retos para la creación (y la investigación) de narrativas complejas. Prologue presentation in Narrativas Complexas. Portugal: Editorial Ría.
7.2.5. Bonilla, D. (2018). La construcción y edición de cine narrativo a través de programación. Presented at the 1o Congresso Internacional Media Ecology and Image Studies - Desafios para as narrativas imagéticas, Lisbon, Portugal.
7.2.6. Bonilla, D. (2018). Taller Internacional de Producción: Nuevas Narrativas y Nuevas Tecnologías. Universidad de Cuenca, Cuenca, Ecuador.
7.2.7. Bonilla, D. (2018). La aptitud para encontrar patrones y la producción de cine suave. Presented at the International Digital Humanities Conference 2018, Mexico City, Mexico.
7.2.8. Bonilla, D. (2017). Del cine hipervínculo al cine suave: El futuro del cine y la televisión: Nuevas ventanas y narrativas. Presented at the VI Festival de la Orquídea, Cuenca, Ecuador.
7.2.9. Bonilla, D. (2016). Cine Interactivo. Presented at the Festival Internacional Audiovisual, Universidad de la Sabana, Cundinamarca, Colombia.
7.2.10. Bonilla, D. (2012). Nuevos medios, nuevas narrativas. Presented at the Semana de la Comunicación 40 Aniversario de la Facultad de Comunicación, Universidad de la Sabana, Cundinamarca, Colombia.
7.2.11. Bonilla, D. (2012). Más allá del hipertexto: Creación y presentación de textos variables. Presented at the Segundo Simposio Internacional del Libro Electrónico en Español, Consejo Nacional para la Cultura y las Artes, Mexico City, México.
7.2.12. Bonilla, D. (2012). Translating new media theories into practical advice. Presented at the American Medical Writers Association, Sacramento, CA.
7.2.13. Bonilla, D. (2012). El nuevo prestidigitador. Article and video production presentation. Presented at the Revista Digital Universitaria, Universidad Nacional Autónoma de México, México.
7.2.14. Bonilla, D. (2011). Stopper. Conceptualizing story as media database. Presented at the Foundation for Art and Creative Technology, Liverpool, United Kingdom.
7.2.15. Bonilla, D. (2011). Production factors and algorithmic methods for the construction of combinatorial cinematic narratives. Presented at the International Conference on Latin American Cybercultural Studies, University of Liverpool, United Kingdom.
7.2.16. Bonilla, D., & Porto Renó, D. (2009). Cinema Interactivo: Estudios Para Una Posible Propuesta (Interactive Cinema: Inquiries into the Potential) Part I & Part II. Barcelona, Spain: Guión Actualidad, Universidad Autónoma De Barcelona.
7.2.17. Bonilla, D. (2007). Dense Space: An Immersive Virtual Experience in Photographic Quality. Patent Application presentation.
7.2.18. Bonilla, D. (2005). The structure as narrative. The use of statistical algorithms for the control of non-linear hypermedia narratives. Presented at the V Bienal Iberoamericana de la Comunicación, Tecnológico de Monterrey, Campus Estado de México, México.
7.2.19. Bonilla, D., et al. (2004). Jose Juan Tablada Poesia Densa (Jose Juan Tablada Dense Poetry). Mexico City, Mexico: Instituto de Investigaciones Filológicas y Publicaciones Digitales DGSCA UNAM.
7.2.20. Bonilla, D. (2003). Development of a tracking device for statistical inference using the General Linear Model and Time Series Analysis. Presented at New research for new media, Institute for New Media Studies, School of Journalism and Mass Communication, University of Minnesota, MN.
7.2.21. Bonilla, D., and Tronchin, F. (2003). Virtual Tour of Pompeii. Presented at Pompeii, Italy, for "A Day in Pompeii," Melbourne Museum, Melbourne, Australia.
7.2.22. Bonilla, D. (2002). Asymptote: A non-linear multimedia experience. Presented at The Dynamics of Convergent Media, College of Mass Communications & Information Studies, University of South Carolina, Columbia, SC.
7.3. Teaching and Learning Presentations
7.3.1. Bonilla, D. (2018). Capitalizing on networked-based synchronous activities. Presented at the Quality Matters Mountain Regional Conference: Elevating Quality, Denver, USA.
7.3.2. Bonilla, D., & Hanley, L. (2016). Atolls, Islands, and Archipelagos: The California OER Council and the New Landscape for Open Education in California. Presented at the Open Education Global Conference, Krakow, Poland.
7.3.3. Bonilla, D. (2016). California Open Educational Resources Council Research Findings. Cool4ed.org Video on YouTube.
7.3.4. Bonilla, D. (2016). Produced COOL4ED Faculty Case Studies, California Open Educational Resources Council. Cool4Ed.org Videos on YouTube.
7.3.5. Bonilla, D., et al. (2016). Initiating Change: Faculty and Instructional Designers Speak Up. Presented at the Textbook Affordability Conference, University of California, Davis.
7.3.6. Bonilla, D., & Kennedy, L. (2015). Affordable Learning Solutions. CSU Course Redesign with Technology, California State University, Long Beach, CA.
7.3.7. Bonilla, D., & Harris, K. (2015). California Open Educational Council. Open Access Conference, San Jose State University, CA.
7.3.8. Bonilla, D. (2015). Screen Capturing Pedagogical Videos for the Multimedia Educational Resource for Learning and Online Teaching MERLOT. California State University, Long Beach, CA.
7.3.9. Bonilla, D., et al. (2015). The California Open Educational Resources Council: From Curation to Adoption. Presented at the Open Education Conference, Vancouver, CA.
7.3.10. Bonilla, D. (2013). Curriculum for an Information and Communications Technology literacy program for higher education. 16th Annual CSU Teaching Symposium: Teaching for High Impact, The California Maritime Academy, California State University.
7.3.11. Bonilla, D. (2013). Developing teaching strategies for real-time online teaching environments. 16th Annual CSU Teaching Symposium: Teaching for High Impact, The California Maritime Academy, California State University.
7.3.12. Stoner, M., Higgins, S., & Bonilla, D. (2012). Cracking our own codes: Creating instruction for increased clarity and appropriate control. International Journal of Learning, 18(6), 228-247.
7.4. Curricular
7.4.1. Development of the Digital Communication and Information Minor (2011)
7.4.1.1. ComS101 Information Management and Privacy
7.4.1.2. ComS106 Digital Media Creation, An Introduction
7.4.1.3. ComS117 Multimedia Communication
7.4.1.4. ComS140 Online Collaboration
7.4.1.5. ComS190 Human Communication on the Internet
7.4.1.6. ComS191 New media and Society
7.4.2. Created Graduate Course in Computer-Mediated Communications (2006)
7.5. Editorial
7.5.1. Bonilla, D., & Stoner, M. (Eds.). (2016). Special Issue: Information and Communication Technology in Higher Education. Informatics.
8. Other
8.1. In anthologies
8.1.1. Bonilla, D. (2024). Scholarly Stanzas. In A. Frederico, M. Hurtado, V. Gómez, & V. C. Pereira (Eds.), litElat: Antología de literatura electrónica latinoamericana, Vol. 2.
8.1.2. Bonilla, D. (2020). Autoretrato and Universales hypermedia poems. In Flores, L., Kozak, C., & Mata, R. (2020). Antología Litelat #1. Electronic Literature Organization. http://antologia.litelat.net/.
8.1.3. Bonilla, D. & Del Toro, J.J. (2020). Liber Rotavi. Variaciones de la Creación. Antología litElat #1. http://antologia.litelat.net/obra-43 In Flores, L., Kozak, C., & Mata, R. (2020). Antología Litelat #1. Electronic Literature Organization. http://antologia.litelat.net/.
8.2. Literary - Print
8.2.1. Bonilla, D. (1992). El Anfiteatro de la Memoria (Amphitheater of Memory). Mexico City, Mexico: Editorial Praxis.
8.3. Film
8.3.1. Memoriter: An Exploration of Memory and History (2008)
8.4. Patent application
8.4.1. Dense Spaces (2007)