1. AESTHETICS OF NEW MEDIA
1.1. DECONSTRUCTING NEW MEDIA
1.1.1. NEW MEDIA TECHNOLOGY: CONVERGE AND CHARACTERISTICS
1.1.2. NEW MEDIA AS MULTIMEDIA
1.1.3. NEW MEDIA TRANSITION: FROM SYNERGY TO TRANSMEDIA
1.2. INTERSECTING TRADITIONAL MEDIA AND NEW MEDIA
1.2.1. JOURNALISM+INTERNET=BLOGGING
1.2.2. BROADCASTING+INTERNET=PODCAST
1.2.3. FILM+INTERNET=YOUTUBE
1.3. TRANSITIONING MEDIA, TRANSITIONING USERS
1.3.1. DIGITAL NATIVE
1.3.2. DIGITAL IMMIGRANT
2. AESTHETICS OF THE IMAGE, TEXT AND AUDIO
2.1. FRAMING AND READING
2.1.1. NEWSPAPER AND JOURNALISM
2.1.1.1. NEWSPAPER AND JOURNALISM
2.1.1.2. BOOKS,COMICS,MAGAZINES AND THE PUBLISHING INDUSTRY
2.1.1.3. PHOTOGRAPHY AND TIMELESS IMAGE CONCEPTS
2.1.2. FRAMING AND LISTENING
2.1.2.1. RADIO
2.1.2.2. EVOKING IMAGINATION
3. AESTHETICS OF FILM AND TV
3.1. THE FILM FORM
3.1.1. 2 FORMATS OF LENGTH OF FILM
3.1.1.1. SHORT FILM
3.1.1.2. FEATURE-LENGTH/LENGTH FILM
3.1.2. MODE OF FILM PRODUCTION
3.1.2.1. PRE-PRODUCTION STAGE
3.1.2.2. PRODUCTION STAGE
3.1.2.3. POST-PRODUCTION
3.1.3. FILM FORMATS
3.1.3.1. NARRATIVE
3.1.3.2. DOCUMENTARY
3.1.3.3. ANIMATION
3.1.3.4. EXPERIMENTAL
3.1.4. FILM IMAGE COMPOSITION
3.1.5. MOTION OF FRAMING CONCEPTS
3.2. THE TV BROADCAST
3.2.1. KINDS OF TV SHOWS
3.2.1.1. INFORMATIVE PROGRAMMING
3.2.1.2. ENTERTAINMENT PROGRAMMING
3.2.2. TV SHOW ANATOMY AND ADVERTISING
3.3. CRAFTING MEDIA MESSAGES
3.3.1. AUDIO PRODUCTION
3.3.2. IMAGE PRODUCTION
3.3.3. AUDIOVISUAL PRODUCTION
4. AESTHETICS OF SOCIAL NETWORKING
4.1. RELEVANCE OF SOCIAL MEDIA IN TODAY'S SOCIETY
4.1.1. BUSINESS AND CUSTOMER CARE TOOL
4.1.2. SOCIAL SERVICE AND GOVERNANCE
4.1.3. EDUCATIONAL TOOL
4.1.4. TRADITIONAL MEDIA COVERAGE AND SOCIAL MEDIA ENHANCEMENT
4.1.5. ADVOCACY CAMPAIGN FOR SOCIAL CHANGE
4.1.6. ENTERTAINMENT PORTAL
4.2. DEEPER UNDERSTANDING OF SOCIAL MEDIA
4.2.1. SOCIAL MEDIA
4.2.2. KINDS OF SOCIAL MEDIA AND ITS VARYING USES
4.2.2.1. PRINT-BASED
4.2.2.2. AUDIO-BASED
4.2.2.3. PHOTO-BASED
4.2.2.4. SOCIAL NETWORKING SITES
4.2.2.5. VIDEO-BASED