1. Meagan
1.1. overlapping
1.1.1. places
1.1.1.1. patterns
1.1.1.1.1. texturally through the space
1.1.1.1.2. cultural ...
1.1.1.2. aspects that define the place
1.1.2. processes
1.1.3. techniques
1.1.4. ideologies
1.1.5. memories
1.2. art
1.3. craft
1.3.1. everyday objects
1.3.2. functionality
1.4. life of the work
1.5. curiosity
1.5.1. subtle details
1.5.1.1. close looking
1.5.2. meanings
1.5.3. the need to make
1.5.4. continuous search for knowledge of how things are made
1.6. narrative
1.7. collections
2. Kelsey
2.1. evocative
2.1.1. ambiguous
2.1.2. bodily
2.1.3. familiar forms
2.2. associative
2.2.1. connections between things
2.2.2. connections between people
2.2.3. relating to memory and personal experience
2.3. human experience
2.3.1. desire
2.3.1.1. gaze
2.3.1.2. longing
2.3.2. psychology
2.3.2.1. subconsious
2.3.2.2. sexuality
2.3.2.2.1. risque
2.3.2.2.2. feminity
2.3.3. the body
2.3.3.1. limbs
2.3.3.2. genitalia
2.3.3.3. anthropomorphic
2.3.4. family dynamics
2.3.4.1. the way we treat others
2.3.5. relationships
2.3.5.1. with others
2.3.5.2. between materials
2.3.6. behavior
2.3.6.1. gaze
2.3.7. tension
2.3.7.1. awkward vs considered
2.3.7.1.1. curious
2.4. escapist
2.4.1. wonderment
2.4.2. escape reality
2.4.3. f antasy
2.5. play
2.5.1. humor
2.5.2. childhood
2.6. abstract
2.6.1. Surrealism
2.7. architecture
2.7.1. structures
2.7.2. passageways
2.7.2.1. entryways
2.7.2.2. portals
2.7.2.2.1. fantasy
2.8. scale
2.8.1. relative to the body
2.8.2. architectural
2.9. processes
2.9.1. technique
3. Alex
3.1. utility
3.1.1. craft
3.1.1.1. tradition
3.1.1.1.1. technique
3.1.2. function
3.1.2.1. useful
3.1.2.2. practical
3.1.3. precision
3.1.4. industry
3.1.4.1. product
3.1.4.2. design
3.2. sculpture
3.2.1. mass
3.2.2. plane
3.2.3. curve
3.2.3.1. form
3.2.4. weight
3.2.5. composition
3.2.6. arrangment
3.2.7. line
3.2.8. architecture
3.2.8.1. flying buttress arch aesthetic relating to forms of the vessel
3.2.8.2. columns
3.2.8.3. roof tiles
3.2.8.4. crepidoma
3.2.8.5. ground
3.2.9. light
3.3. material
3.3.1. material research
3.3.1.1. time
3.3.1.2. temperature
3.3.1.3. experimentation
3.3.2. material phenomena
3.3.2.1. event
3.3.3. how material responds to time and temperature
3.3.4. natural
3.3.5. artificial
3.3.6. clay
3.3.6.1. ceramic-vitrify
3.3.6.2. texture
3.3.6.3. malleability
3.3.7. glaze
3.3.7.1. melt
3.3.7.2. dry
3.3.7.3. fluid
3.4. vessel
3.4.1. pottery
3.4.1.1. domestic
3.4.2. containment
3.4.3. disperse
3.4.4. form
3.5. discovery
3.5.1. process
3.5.1.1. play
3.5.2. chance
3.5.2.1. failure
3.5.2.2. uncertainty
3.5.3. investigation
3.6. color
4. Lea Griggs
4.1. craft
4.1.1. ethical development through skill
4.1.1.1. support contain cover
4.1.1.2. material hierarchy
4.1.1.3. natural/physical laws
4.1.1.4. tradition
4.1.1.5. assimilation through material/skill
4.2. design
4.3. art
4.3.1. perceptions of cultural wealth
4.3.1.1. the gaze/perception
4.3.1.2. cultural laws
4.3.1.3. progression
4.3.1.4. assimilation through aesthetics
4.3.1.4.1. marketing
4.4. labor
4.4.1. this is a moralized state of being fd
4.5. industrial brink
4.5.1. a multitude of objects from industrial methods that signify no cultural value with no personal relation to the human condition. Consumption items (they are not restrained from elevating but are not meant to)
5. The memory of places
6. WRITING
7. Cory
7.1. Discovery
7.1.1. science
7.1.1.1. chemistry
7.1.1.1.1. experimentation
7.1.1.2. geology
7.1.1.3. physics
7.1.1.4. anthropology
7.1.1.4.1. animal/nature
7.1.1.4.2. what images do we associate with pattern
7.1.1.5. rheology
7.1.1.5.1. study of flow
7.1.1.5.2. how does this manifest itself in the work
7.1.2. chance
7.1.3. curiosity
7.1.3.1. Chrome
7.1.3.1.1. how do you make color choices?
7.1.4. empirical
7.1.5. technology
7.1.6. innovation
7.2. materials
7.3. Process
7.3.1. pattern
7.3.2. rhythm
7.3.2.1. how do you generate form?
7.3.2.2. material control/lack of control
7.3.3. developing specific sets of rules
8. Ryan Rennie
8.1. Global flows
8.1.1. Time and place
8.1.1.1. Hyper-reality
8.1.2. new primitivism
8.1.3. exotica
8.1.3.1. Tiki culture
8.1.4. "art history"
8.1.4.1. historical fiction
8.2. Post Modern in relation to now
8.2.1. Pastiche
8.2.1.1. Stylistic reproduction( no commentary)
8.2.2. Parody
8.2.2.1. Stylistic reproduction (with commentary, satire.etc)
8.2.3. paradox
8.2.4. Baudrillard
8.3. Post colonial
8.3.1. Assimilation
8.3.2. Appropriate the appropriated
8.4. installation
8.4.1. observation
8.4.2. play
8.4.3. distance
8.4.4. aesthetics of culture
8.4.5. Found object/assemblage
8.4.6. Made or unmade
8.4.6.1. ceramics
8.4.6.2. Purchased,found, stolen
9. William
9.1. Gravity
9.1.1. Installation
9.1.1.1. Relationships between objects and images
9.1.1.1.1. sight lines
9.1.1.1.2. what is framed
9.1.1.1.3. distance between objects and present/past/future
9.1.1.1.4. found and made objects
9.1.1.1.5. gaps and holes in a nonlinear narrative
9.1.1.2. call attention to the viewer in relationship to others in the space
9.1.1.2.1. objects oriented on the floor - shoe gazing
9.1.1.2.2. diegetic/non-diegetic sound
9.1.1.2.3. Present/Absent/I am here/You are not
9.1.1.3. spatial behavior
9.1.2. Domestic
9.1.2.1. cat
9.1.2.2. stools
9.1.2.3. books
9.1.2.4. desire
9.1.2.5. shoes
9.1.3. Quiet
9.1.3.1. Poetry
9.1.3.1.1. my own writing
9.1.3.1.2. sequencing/building upon
9.1.3.2. Language
9.1.3.2.1. What I give up and withhold between clarity and perception
9.1.3.2.2. mirroring experience
9.1.3.2.3. Bachelard - Poetics of Space
9.1.3.2.4. Ahmed - Queer Phenomenology
9.1.3.2.5. Beachy-Quick - "Anniversary"
9.1.3.2.6. Weil - Gravity and Grace
10. Jronner
10.1. Conditioning
10.1.1. Choice
10.1.1.1. Positive Reinforcement
10.1.1.2. Negative Reinforcement
10.1.1.3. Habit Forming Approaches
10.1.1.3.1. Nir Eyal
10.1.1.4. Free Will
10.1.1.5. Consequences
10.1.2. Absurdity
10.1.2.1. "Concrete Comedy"
10.1.3. Hypocrisy
10.1.4. costs/consequences
10.1.4.1. behavioral
10.1.4.2. economic
10.1.4.3. Political
10.1.4.4. Psychological
10.1.5. Modes
10.1.5.1. Instinctual
10.1.5.2. Cultural
10.1.6. Viscerally Evocative
10.1.6.1. Strategies
10.1.6.2. Scientific Basis
10.1.6.2.1. Psycology
10.1.6.2.2. Neuroscience
10.1.6.2.3. Anthropology
10.1.6.3. Art
10.1.6.3.1. Phenomelogical
10.1.6.3.2. Shock
10.1.6.3.3. Experiential
10.1.6.3.4. Experiential
10.1.7. Thresholds
10.1.7.1. Violence
10.1.7.2. Fear
10.1.7.3. Empathy
11. YEHRIM
11.1. material research
11.1.1. clay
11.1.1.1. delicacy
11.1.2. accumaltaion
11.1.2.1. reference
11.1.3. fiber
11.1.4. paper
11.1.4.1. ephemeral
11.2. space
11.2.1. installation
11.2.1.1. transform space
11.2.1.2. play
11.3. personal
11.3.1. cultural history
11.3.1.1. pattern
11.4. time
11.4.1. cycle
11.4.1.1. human life
11.4.2. impermanence and permanence
11.5. formal
11.5.1. repetitions
11.5.2. delicacy
11.5.3. rhythm
12. Mimi
12.1. Design
12.1.1. Furniture
12.1.1.1. Chairs
12.1.1.1.1. transformation
12.1.1.1.2. anthropomorphization
12.1.2. Textiles
12.1.3. Encounters
12.1.4. Graphic Design
12.1.5. Style
12.2. Self-Help
12.2.1. Affirmation
12.2.2. Psychology
12.2.3. Sociology
12.3. Desire
12.3.1. Love
12.3.2. Intimacy
12.3.3. Collecting Objects
12.3.4. Proximity
12.4. Commodification
12.4.1. Marketing Lingo
12.4.1.1. tone
12.4.2. Style
12.5. Relationships
12.5.1. Intimacy
13. Morgan
13.1. playfulness
13.1.1. humour
13.1.2. childhood
13.1.3. unexpected use of stuff
13.2. collection
13.2.1. objects
13.2.1.1. found
13.2.1.2. built
13.2.2. SUSAN STEWART: ON LONGING
13.2.3. materials
13.2.3.1. material culture
13.2.3.1.1. semiotics
13.3. place
13.3.1. interior/human
13.3.1.1. the interior of the home
13.3.1.1.1. Home: A Short History of an Idea by Witold Rybczynski
13.3.2. exterior/nature
13.3.2.1. canada
13.3.2.1.1. MARGRET ATWOOD
13.4. assemblage/collage
13.4.1. piling/stacking
13.4.2. curating objects
13.5. experiential
13.5.1. installation
13.5.1.1. how to move through the space
13.5.1.1.1. psychogeography
13.5.2. environment