1. 3. Aesthetics of Media
1.1. Deconstructing new media
1.1.1. New media technology: convergence and characteristics
1.1.2. New Media as multimedia
1.1.3. New media transitions from synergy to transmedia
1.2. Intersecting traditional media and new media
1.2.1. Journalism + Internet = blogging
1.2.2. Broadcasting + Internet = podcast
1.2.3. Film + Internet = Youtube
1.3. Transitioning media, transitioning users
2. 4. Aesthetics of social networking
2.1. Deeper understanding of social media
2.1.1. What is social networking?
2.1.2. Kinds of social media and it's varying users
2.1.3. Print-based
2.1.4. Audio-based
2.1.5. Poto-based
2.1.6. Video-based
2.1.7. Social networking sites
2.2. Relevance of social media in today's society
2.2.1. Personal communications
2.2.2. Business and customer care tools
2.2.3. Social services and governance
2.2.4. Educational tools
2.2.5. Advocacy campaigns for soicial change
2.2.6. Traditional media coverage and social media enchancement
2.2.7. Entertainment portals
3. 1. AESTHETICS OF THE IMAGE, TEXT, AND AUDIO
3.1. Framing and Reading
3.1.1. newspapers and journalism
3.1.2. books, comics, magazines, and the publishing industy
3.1.3. Photography and timeless image concepts
3.2. Framing and Listening
3.2.1. Radio and evoking imagination
4. 2. Aesthetics of film and TV
4.1. The film form
4.1.1. Modes of film production
4.1.2. Film formats
4.1.3. Narrative
4.1.4. Documentary
4.1.5. Animation
4.1.6. Experimental
4.1.7. Film image composition
4.1.8. Motion framing concepts
4.2. The TV broadcast
4.2.1. Kinds of TV Shows
4.2.2. Informative programming
4.2.3. Entertainment programming
4.2.4. TV shows anatomy and advertising
4.3. Crafting Media Messages
4.3.1. Creating meaning in audio production
4.3.2. Creating meaning in image production
4.3.3. Creating meaning and audiovisual production