1. Aesthetics of Social Networking
1.1. New Media as Multimedia
1.2. Deconstructing New Media
1.3. New Media Transitions: from Synergy to Transmedia
1.4. New Media Technology: Convergence and Characteristics
1.5. Transitioning media, Transitioning Users
1.5.1. Digital Native
1.5.2. Digital Immigrant
1.6. Intersecting Traditional Media and New Media
1.6.1. Podcast
1.6.1.1. Internet
1.6.1.2. Broadcasting
1.6.2. Youtube
1.6.2.1. Film
1.6.2.2. Internet
1.6.3. Blogging
1.6.3.1. Internet
1.6.3.2. Journalism
2. Aesthetics of Film and TV
2.1. The Film Form
2.1.1. Film Formats
2.1.1.1. Narrative
2.1.1.2. Animation
2.1.1.3. Experimental
2.1.1.4. Documentary
2.1.2. Two Formats
2.1.2.1. Short Film
2.1.2.2. Feature-length or Full-length Film
2.1.3. Film Image Composition
2.1.3.1. Film Language
2.1.3.2. Visual symbolisms and cues
2.1.3.2.1. Elements in a given film framework
2.1.4. Modes of Film Production
2.1.4.1. Preproduction
2.1.4.2. Production Stage
2.1.4.3. Post production Stage
2.1.5. Motion of Framing Concepts
2.1.5.1. Camera movements
2.1.5.1.1. tilt
2.1.5.1.2. pan
2.1.5.1.3. dolly
2.1.5.1.4. focus
2.1.5.1.5. truck
2.1.5.1.6. zoom
2.1.5.1.7. pedestal
2.2. The TV Broadcast
2.2.1. Kinds of TV Shows
2.2.1.1. Informative Programming
2.2.1.2. Entertainment Programming
2.2.2. TV Show Anatomy and Advertising
2.3. Crafting Media Messages
2.3.1. Creating Meaning in Audio Production
2.3.2. Creating Meaning in Image Production
2.3.3. Creating Meaning in Audiovisual Production
3. Aesthetics of New Media
3.1. Social Networking
3.2. Social Media
3.2.1. Kinds
3.2.1.1. Print-based
3.2.1.2. Video-based
3.2.1.3. Audio-based
3.2.1.4. Photo-based
3.2.1.5. Social Networking Sites
3.2.2. Relevance in Today's Society
3.2.2.1. Educational Tools
3.2.2.2. Personal Communications
3.2.2.3. Social Services and Governance
3.2.2.4. Business and Customer Care Tools
3.2.2.5. Advocacy Campaigns for Social Change
3.3. Entertainment Portals
3.4. Traditional Media Coverage and Social Media Enhancement
4. Aesthetics of the Image, Text and Audio
4.1. Framing and Listening
4.2. Framing and Reading
4.3. Radio and Evoking Imagination
4.4. Photography and Timeless Image Concepts
4.5. Books, Comics, Magazines, and the Publishing Industry
4.6. Newspapers and Journalism
4.6.1. Journalism
4.6.1.1. Online
4.6.1.2. Broadcast
4.6.2. Newspapers
4.6.2.1. Tabloid
4.6.2.2. Broadsheet