1. ENTERTAINMENT PORTALS
2. DEEPER UNDERSTANDING OF SOCIAL MEDIA
2.1. WHAT IS SOCIAL MEDIA?
2.1.1. WHAT IS SOCIAL NETWORKING?
2.1.2. KINDS OF SOCIAL MEDIA AND ITS VARYING USES
2.1.2.1. PRINT-BASED
2.1.2.2. AUDIO-BASED
2.1.2.3. PHOTO-BASED
2.1.2.4. VIDEO-BASED
2.1.2.5. SOCIAL NETWORKING SITES
3. AESTHETICS OF NEW MEDIA
3.1. DECONSTRUCTING NEW MEDIA
3.1.1. MEW MEDIA TECHNOLOGY: CONVERGENCE AND CHARAC- TERISTICS
3.1.2. NEW MEDIA AS MULTIMEDIA
3.1.3. NEW MEDIA TRANSITIONS: FROM SYNERGY TO TRANSMEDIA
3.2. INTERSECTING TRADITIONAL MEDIA AND NEW MEDIA
3.2.1. JOURNALISM + INTERNET = BLOGGING
3.2.2. BROADCASTING + INTERNET = PODCAST
3.2.3. FILM + INTERNET = YOUTUBE
3.3. TRANSITIONING MEDIA, TRANSITIONING USERS
4. AESTHETICS OF SOCIAL NETWORKING
4.1. RELEVANCE OF SOCIAL MEDIA IN TODAY'S SOCIETY
4.1.1. PERSONAL COMMUNICATIONS
4.1.2. BUSINESS AND CUSTOMER CARE TOOLS
4.1.3. SOCIAL SERVICES AND GOVERNANCE
4.1.4. EDUCATIONAL TOOLS
4.1.5. ADVOCACY CAMPAIGNS FOR SOCIAL CHANGE
4.1.6. TRADITIONAL MEDIA COVERAGE AND SOCIAL MEDIA ENHANCEMENT
5. AESTHETICS OF THE IMAGE, TEXT AND AUDIO
5.1. FRAMING AND READING
5.1.1. NEWSPAPERS & JOURNALISM
5.1.2. BOOKS
5.1.3. COMICS
5.1.4. MAGAZINES
5.1.5. PUBLISHING INDUSTRY
5.1.6. PHOTOGRAPHY AND TIMELESS IMAGE CONCEPTS
5.2. FRAMING AND LISTENING
5.2.1. RADIO AND EVOKING IMAGI- NATION
6. AESTHETICS OF FILM AND TV
6.1. THE FILM FORM
6.1.1. MODES OF FILM PRODUCTION
6.1.1.1. PREPRODUCTION
6.1.1.2. PRODUCTION
6.1.1.3. POST-PRODUCTION
6.2. FILM FORMATS
6.2.1. NARRATIVE
6.2.2. DOCUMENTARY
6.2.3. ANIMATION
6.3. FILM IMAGE COMPOSITION
6.3.1. EXPERIMENTAL