1. Cables
1.1. Identification
1.1.1. BNC
1.1.2. XLR
1.1.3. DMX
1.1.4. Socopex
1.1.5. Cam
1.1.6. L14-20
1.1.7. L14-30
1.1.8. L6-30
1.1.9. L5-20
1.1.10. Motor Control
1.1.11. California (vs mc 3-phase)
1.2. Taping
1.3. Coiling
1.3.1. Over-Under - by hand
1.3.2. Over-under on floor
1.3.3. Case size for coil size
1.3.4. uncoiling
1.4. Untaping
1.5. Velcro / Tie Line
2. Power
2.1. Consumption calcs
2.2. WVA
2.3. distro layouts
2.4. cam setup
2.5. ampacity
2.6. voltage drop
2.7. 1 vs 3 phase
2.8. Safety considerations
3. Cameras
3.1. Physical setup
3.1.1. Tripod
3.1.1.1. Plate
3.1.1.2. Balance
3.1.1.3. Drag
3.1.1.4. Locks
3.1.1.5. Level
3.1.2. Fiber vs. BNC
3.1.3. Balance
3.1.4. Drag
3.2. Controls
3.2.1. Iris
3.2.2. Focus
3.2.3. Zoom
3.2.4. Gain
3.2.5. White Balance
3.3. Photography Fundamentals
3.3.1. Iris
3.3.2. White Balance
3.4. Shot Selection
3.4.1. Extreme
3.4.2. Close
3.4.3. Medium
3.4.4. Wide
3.4.4.1. Stage Wide
3.4.4.2. House Wide
3.4.5. Push
3.4.6. Pull
3.4.7. Pan
3.4.8. Rule of Thirds
3.4.9. Rack Focus
3.5. Show Calling
4. Led wall
4.1. Rigging
4.2. Power
4.3. Signal
4.4. Packing
4.5. QA
5. PA setup
5.1. Basic audio routing
5.2. Signal flow
5.3. Basic ringout
5.4. Gain structure
6. Hanging line array
7. Projection
7.1. Screens
7.1.1. Tripods
7.1.2. Popups
7.1.3. Fastfold
7.2. Projector setup
7.2.1. Lensing
7.2.2. Signal
7.2.3. Aspect ratio
7.2.4. Alignment
8. Lighting
8.1. Dmx fundamentals
8.2. Hanging
8.2.1. Orientation
8.2.2. Lockoff
8.2.3. Safety
8.3. Circuit capacity
8.4. Dmx routing
8.4.1. Splitters
8.4.1.1. Orientation
8.5. Reading a light plot
8.6. Fixture uses
9. Basic stagehand skills
9.1. Attire
9.2. Lifting and stacking
9.3. Bolting truss vs spiggot truss
9.4. Case types / dimensions
9.5. Motor ground stuff
9.5.1. Cabling
9.5.2. Chain bag
9.5.3. Spansets on truss
9.5.4. Shackle orientation