1. Verkefni
1.1. Örverkefni 1
1.1.1. Orpið Ljós
1.2. Örverkefni 2
1.2.1. Materials / Methods
1.2.2. Staður
1.2.3. Space
1.2.4. White
1.2.5. Material Research
1.2.6. Mental Space
1.2.6.1. Light/Shadow
1.2.6.2. Mirror/Opposite
1.3. Örverkefni 3
1.3.1. Allt er auðvelt / Allt er flókið
1.3.2. Skissur
1.3.3. Ósabotnar
1.3.4. Notendur
1.3.5. Shiro
1.3.6. Íslendingar
2. Rannsókn
2.1. Textar
2.1.1. space
2.1.2. Allt er auðvelt/Allt er flókið
2.1.3. White
2.1.4. Ma
2.1.4.1. Kengo Kuma - Ma
2.1.5. Essence
2.1.5.1. Oki Sato
2.1.5.1.1. Site
2.1.5.2. Designing Mindfulness: Spatial Concepts in Traditional Japanese Architecture
2.1.5.3. The House of Sugimoto in Kyoto
2.1.5.4. Irori
2.2. Reykjanes
2.2.1. Ljósmyndir
2.2.2. Myndbönd
2.2.3. Hæðarkort
2.2.4. Minjar
2.2.4.1. Kort
2.2.4.2. Myndir
2.2.5. Lífríki Ósa
2.2.6. Fuglar
2.2.7. Áferðir
2.3. Listastefnur
2.3.1. Mono-ha
2.3.1.1. Myndir
2.3.1.2. Wiki
2.3.1.3. Nobue Sekine
2.3.2. Supports/Surfaces
2.3.2.1. Myndir
2.3.2.2. Wiki
2.4. Listamenn
2.4.1. Tom Joyce
2.4.2. Julie Mehretu
2.4.3. Xu Bing
2.4.3.1. Myndir
2.4.3.2. Studio
2.4.3.3. WIKI
2.4.4. Toba Khedori
2.4.4.1. Myndir
2.4.4.2. wiki
2.5. Frumhúsið
2.5.1. Primitive hut wiki
2.5.2. Marc-Antoine Laugier
2.5.3. Vitruvius
2.5.4. Gottfried Semper
2.5.5. Preindustrial versus Postindustrial architecture and building techniques
2.5.6. Building Without Nails: The Genius of Japanese Carpentry | China Uncensored
2.5.7. Succah by the Sea Temporary Outdoor Exhibition / Office Feuerman
2.6. Material Research
2.6.1. Paper
2.6.1.1. Paper from plants
2.6.1.2. Hand papermaking
2.6.1.3. Japanese Method
2.6.1.4. Making Paper at Home
2.6.1.5. Structures
2.6.1.5.1. Honeycomb Lightweight Seating Structure
2.6.1.5.2. Origamic architecture
2.6.1.5.3. Masahiro Chitani
2.6.2. How to make Soda Ash
2.6.3. Gísli Hrafn Magnússon
2.6.3.1. Bakpokastrákurinn
2.6.3.2. Rammed Earth
2.6.3.2.1. Wiki
2.6.3.2.2. How They are Built
2.6.3.2.3. Projects
2.6.3.2.4. Rammed Earth Bricks
2.6.3.2.5. Compressed Earth Blocks Wiki
2.6.4. Plöntur
2.6.4.1. Willow Project
2.6.4.1.1. LHÍ
2.6.4.1.2. Björn Steinar
2.6.4.1.3. Tinna Gunnarsdóttir
2.6.4.1.4. Deezen
2.6.4.1.5. Víðir
2.6.4.2. Þari
2.6.4.2.1. List of glues
2.6.4.2.2. Furniture
2.6.4.2.3. Fucus
2.6.4.2.4. Julia Lohman
2.6.4.2.5. Funori
2.6.4.2.6. Kelp
2.6.4.3. Skógarafurðir
2.6.4.3.1. Íslenskur markaður með skógarafurðir
2.6.4.3.2. Límtrésbitar úr íslensku timbri
2.6.4.3.3. Precision Framing from Japan
2.6.4.3.4. Derix - þýskur framleiðandi
2.6.4.3.5. Material of the Future: 4 Architects that Experiment with Cross Laminated Timber
2.6.4.3.6. Skogur.is
2.6.4.3.7. Blæösp
2.6.5. Aðferðir
2.6.5.1. DIY Loom
2.6.5.2. Nori-Tsuchi
2.6.5.3. Tsuchikabe
2.6.5.4. Rope from dead plants
2.7. Byggingaraðferðir
2.7.1. Kominika
2.7.2. Wood Shingles
2.7.2.1. Myndir
2.7.2.2. Wiki
2.7.2.3. Flöguberg
2.7.2.4. The Different Types of TeaHouse Roof
2.7.3. Wood Construction
2.7.3.1. Joints
2.7.3.2. Joints 2
2.7.4. Torfbæir
2.7.4.1. Íslensk Húsagerðarlist
2.7.4.2. Þrif og þvottar í torfbæum
2.7.4.3. Íslenski Torfbærinn
2.7.4.4. How were the Walls of Roman Buildings Constructed?
2.7.4.5. Architecture in Iceland
2.7.4.6. Lýsing á baðstofu
2.7.4.7. How to build a turf house
2.7.5. Stone
2.7.5.1. Stone House / Dake Architectural Design
2.7.6. First-ever compendium of indigenous technologies provides a powerful toolkit for climate-resilient design
2.7.7. Temporary Architecture
2.7.7.1. SO-IL Interview
2.7.8. Vernacular Architecture
2.8. Arkitektar
2.8.1. Anne Holtrop
2.8.1.1. Myndir
2.8.1.2. Studio
2.8.2. Studio Ensamble
2.8.2.1. Myndir
2.8.2.2. Studio
2.8.2.3. Projects
2.8.3. Schemata Architects
2.8.4. Kengo Kuma
2.8.5. Living Architecture Systems Group
2.8.5.1. Studio
2.8.5.2. 4D sound
2.8.6. Ned Kahn
2.8.6.1. Myndir
2.8.6.2. Studio
2.8.7. James Carpenter
2.8.7.1. Studio
2.8.7.2. Myndir
2.8.8. Samuel Mockbee
2.8.8.1. Studio
2.8.8.2. myndir
2.8.9. Kung Holzbau
2.8.10. Seilerlinhart
2.8.10.1. Documentation
2.8.11. Various
2.8.11.1. Small Scale Structures
2.8.11.2. Mnimalist modern
2.8.11.3. Jipyungzip Guest house
2.8.11.4. Tibet Namchabawa Visitor Centre
2.8.11.5. Nagoya Courthouse / Takeshi Hosaka Architects
2.8.11.6. The Mirror Mind Without Time / RSAA/Büro Ziyu Zhuang
2.8.11.7. Dieter Rams
2.8.11.8. Party and Public Service Center of Yuanheguan Village / LUO studio
2.8.11.9. Photographs of Moriyama House
2.8.11.10. Rural House / RCR Arquitectes
2.8.11.11. Desert X AlUla Visitor Centre / KWY.studio
2.8.11.12. White Pavilion / Arquitetura Nacional
2.8.11.13. Restoration of Castello dei Doria a Dolceacqua / LD+SR architetti
2.8.11.14. Cheops Observatory Residence / Studio Malka Architecture
2.8.11.15. Shitang Village Internet Conference Center / AZL Architects
2.8.11.16. MU50 House / Teke Architects Office
2.8.11.17. Architect Spends 1.7 Million Making Only One Change to Rural House
2.8.11.18. From a Deserted Tea Factory to a 1500 ㎡ Villa
2.8.12. Japanskt timbur
2.8.12.1. GC Prostho Museum Research Center - Kengo Kuma
2.8.12.2. Komyo-ji Temple - Tadao Ando
2.8.12.3. Museum of Wood Culture - Ando
2.8.12.4. Geese and gables
2.8.12.5. Tailored design lab.
2.8.12.6. A Gabled Roof in Kawagoe
2.8.12.7. Enoura Observatory
2.9. Greinar
2.9.1. Primary
2.9.1.1. Facts About Architecture and Climate Change
2.9.1.2. How Architecture Responded to Climate Change in 2019
2.9.1.3. Stop Seeing Climate Change as an "Oppurtunity" for Architecture
2.9.1.4. Species of Spaces and Other Pieces
2.9.1.5. The contribution of the five human senses towards the perception of space
2.9.1.6. Architecture without architects
2.9.1.7. A Boat for Thoreau
2.9.1.8. Kinetic Architectures & Geotextile Installations
2.9.1.9. A Primer on Composition
2.9.1.10. the dialetics of outside and inside
2.9.1.11. The Influence of Construction and Materials on Modern Architecture
2.9.1.12. The Carbon Cost of Key Raw Materials in Architecture
2.9.1.13. The facts about architecture and climate change
2.9.1.14. Teaching an Appreciation for Architecture Through Film
2.9.1.15. Facing the Climate Crisis: 5 Projects with Innovative Solutions
2.9.1.16. The Mirage of Transparency
2.9.1.17. If Plan A is to mitigate climate change, what's Plan B?
2.9.1.18. UAE Pavilion Searches for Environmentally Friendly Alternative to Portland Cement
2.9.1.19. “To Be a Good Architect You Have to Be Fearless”: In Conversation with John Ronan
2.9.1.20. How Colors Change the Perception of Interior Spaces
2.9.1.21. Architecture: Form, Space, And Order, 3rd Edition
2.9.2. Secondary
2.9.2.1. John Berger / Ways of Seeing
2.9.2.2. Ylrækt rísómatískra sprota
2.9.2.3. Are We Human / The Frictionless Silhouette
2.9.2.4. The Child, The City, The Artist
2.9.2.5. Scarcity in Excess
2.9.2.6. Rethinking Architecture
2.9.2.7. Everyday and "Other" Spaces
2.9.2.8. Research Methods for Architecture
2.9.2.9. Listaverkið á Tímum fjöldaframleiðslu sinnar
2.9.2.10. Rythmanalysis
2.9.2.11. Fruma í Borgarlíkama
2.9.2.12. Um Önnur Rými / Foucault
2.9.2.13. Walter Benjamin Videoessay
2.9.2.14. The Top 25 Architecture Interviews of 2019
2.9.2.15. How Did the Evolution of Women's Role in Society Change the Built Environment?
2.9.2.16. Toy as Architecture, Architecture as Toy / Groundwork Architects & Associates
2.9.2.17. A Look Ahead: What's Next for the Women in Design Movement?
2.9.2.18. Architectural Thinking of Grafton Architects
2.9.3. 125 Best Architecture Books
2.9.4. Silence of the Archive