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STYLES OF PAINTING by Mind Map: STYLES OF PAINTING

1. Baroque

1.1. Сharacterized by exaggerated motion and clear detail used to produce drama, exuberance, and grandeur. The development of this style was considered to be closely linked with the Catholic Church. The popularity of the Baroque style was encouraged by the Catholic Church, which had decided at the Council of Trent that the arts should communicate religious themes and direct emotional involvement in response to the Protestant Reformation.

1.2. NAMES OF ARTISTS

1.2.1. Caravaggio

1.2.1.1. Bacchus- Uffizi, Florence

1.2.1.2. Supper at Emmaus - National Gallery, London

1.2.1.3. Medusa - Uffizi, Florence

1.2.2. Rembrandt

1.2.2.1. The Night Watch – Rijksmuseum, Groningen

1.2.2.2. David and Uriah - Hermitage, St-Petersburg

1.2.2.3. Self-portrait- Louvre, Paris

1.2.3. Peter Paul Rubens

1.2.3.1. The Elevation of the Cross- Cathedral of Our Lady, Antwerp

1.2.3.2. The Rape of the Daughters of Leucippus- Alte Pinakothek, Munich

1.2.3.3. Assumption of the Virgin Mary- Cathedral of Our Lady, Antwerp

2. Rococo

2.1. 1. eternal youth and beauty 2. sophistication 3. grace 4. flight from reality

2.2. NAMES OF ARTISTS

2.2.1. François Boucher

2.2.1.1. The Bridge - Louvre Museum, France

2.2.2. Nicolas Lancret

2.2.2.1. Le Déjeuner de jambon - Condé Museum, France

2.2.3. Jean-Antoine Watteau

2.2.3.1. The Embarkation for Cythera - Louvre Museum, France

3. Classicism

3.1. 1. associated with the art of antiquity 2. canons stricts 3. rationalism

3.2. NAMES OF ARTISTS

3.2.1. Nicolas Poussin

3.2.1.1. The Martyrdom of Saint Erasmus - Pinacoteca, Vatican

3.2.2. Charles Le Brun

3.2.2.1. Venus Clipping Cupid’s Wings - Museo de Arte de Ponce, Ponce, Puerto Rico

3.2.3. Jacques-Louis David

3.2.3.1. Oath of the Horatii - Louvre Museum, France

4. Realism

4.1. 1. objective reflection of reality 2. rebuttal of traditional value systems 3. stories from everyday life

4.2. NAMES OF ARTISTS

4.2.1. Jules Breton

4.2.1.1. The End of the Working Day - Brooklyn Museum, USA

4.2.2. Édouard Manet

4.2.2.1. The Cafe Concert - The Walters Art Museum, USA

4.2.3. Jean-François Millet

4.2.3.1. Woman Baking Bread - Kröller-Müller Museum, Otterlo

5. Modernism

5.1. 1. striving for new things 2. conventions of style 3. continuous updating of art forms 4. abstract art

5.2. NAMES OF ARTISTS

5.2.1. Henri Matisse

5.2.1.1. Le bonheur de vivre - Barnes Foundation, Merion, USA

5.2.2. Egon Schiele

5.2.2.1. Portrait of Wally - Leopold Museum, Vienna

5.2.3. Gustav Klimt

5.2.3.1. The Kiss - Österreichische Galerie Belvedere, Vienna

6. Expressionism

6.1. 1. expression of the emotional state of the author 2. subjectivity of the creative act 3. motives of pain and screaming

6.2. NAMES OF ARTISTS

6.2.1. Edvard Munch

6.2.1.1. The Scream - National Gallery of Norway

6.2.2. Irma Stern

6.2.2.1. Still life with African pot - Johans Borman Fine Art Gallery, Cape Town

6.2.3. Wassily Kandinsky

6.2.3.1. Akhtyrka - Lenbachhaus, Kunstarealm, Munich

7. Pop-art

7.1. The movement presented a challenge to traditions of fine art by including imagery from popular and mass culture, such as advertising, comic books and mundane mass-produced cultural objects. One of its aims is to use images of popular (as opposed to elitist) culture in art, emphasizing the banal or kitschy elements of any culture, most often through the use of irony

7.2. NAMES OF ARTISTS

7.2.1. Andy Warhol

7.2.1.1. Campbell's Tomato Juice Box - Museum of Modern Art, New York City,USA

7.2.2. Roy Lichtenstein

7.2.2.1. Drowning Girl- Museum of Modern Art, New York City, USA

7.2.3. Marcel Duchamp

7.2.3.1. The Large Glass - Philadelphia Museum of Art Collection, USA

8. Renaissance

8.1. Period immediately following the Middle Ages in Europe. 14-16 centuries. 1. A renewed interest in classical antiquity; 2. a rise in humanist philosophy (a belief in self, human worth, and individual dignity); 3. radical changes in ideas about religion, politics, and science.

8.2. NAMES OF ARTISTS

8.2.1. Leonardo da Vinci

8.2.1.1. Mona Lisa - Louvre,Paris

8.2.1.2. The Last Supper - Santa maria delle grazie, Milan

8.2.2. Michelangelo

8.2.2.1. The Sistine Chapel ceiling - Vatican museums

8.2.3. Raphael

8.2.3.1. Saint George and the Dragon- National Gallery of Art, Washington DC

8.2.3.2. Sistine Madonna- Old Masters Picture Gallery, Dresden State Art Museums

8.2.3.3. The Triumph of Galatea- the Villa Farnesina,Rome

8.2.4. Sandro Botticelli

8.2.4.1. The Birth of Venus - Uffizi Gallery, Florence

8.2.4.2. Primavera- Uffizi Gallery, Florence

8.2.4.3. Madonna del Padiglione-Pinacoteca Ambrosiana

8.2.5. Titian

8.2.5.1. Madonna del Padiglione-Pinacoteca Ambrosiana

8.2.5.2. Bacchus and Ariadne- The National Gallery, London

8.2.5.3. Assumption of the Virgin- Basilica di Santa Maria Gloriosa dei Frari

8.2.5.4. Louvre,Paris

9. Mannerism

9.1. Mannerist artists evolved a style that is characterized by artificiality and artiness, by a thoroughly self-conscious cultivation of elegance and technical facility, and by a sophisticated indulgence in the bizarre. The figures in Mannerist works frequently have graceful but queerly elongated limbs, small heads, and stylized facial features, while their poses seem difficult or contrived.

9.2. NAMES OF ARTISTS

9.2.1. Jacopo Pontormo

9.2.1.1. The Carmignano Visitation - Propositura dei Santi Michele e Francesco,Carmignano

9.2.1.2. Portrait of Alessandro de' Medici – Hermitage, Saint Petersburg

9.2.2. Parmigianino

9.2.2.1. Portrait of Camilla Gonzaga and Her Three Sons- Museum Prado, Madrid

9.2.2.2. Madonna with the Long Neck - Uffizi Gallery,Florence

9.2.2.3. Vision of Saint Jerome- The National Gallery, London

9.2.3. Jan Brueghel the Elder

9.2.3.1. A Fantastic Cave with Odysseus and Calypso - Johnny van Haeften Gallery, London

9.2.3.2. The Garden of Eden with the Fall of Man - Mauritshuis, The Hague

10. Romantism

10.1. 1. cult of nature, feelings and natural in man 2. unity of man and nature 3. scientific rationalization of nature 4. historical plot

10.2. NAMES OF ARTISTS

10.2.1. Caspar David Friedrich

10.2.1.1. Wanderer above the Sea of Fog - Kunsthalle Hamburg, Hamburg, Germany

10.2.2. John William Waterhouse

10.2.2.1. The Magic Circle - Tate Britain, London

10.2.3. Eugène Delacroix

10.2.3.1. Liberty Leading the People - Louvre Museum, France

11. Impressionism

11.1. 1. beauty of everyday reality 2. live image accuracy 3. painting from nature

11.2. NAMES OF ARTISTS

11.2.1. Pierre-Auguste Renoir

11.2.1.1. Two Sisters - Art Institute of Chicago, USA

11.2.2. Edgar Degas

11.2.2.1. Dancers at The Bar - The Phillips Collection, Washington, USA

11.2.3. Claude Monet

11.2.3.1. The Cliff at Étretat after the Storm - Clark Art Institute, Williamstown, USA

12. Cubism

12.1. Cubism is based on the artist’s desire to decompose the depicted three-dimensional object into simple elements and assemble it on canvas in a two-dimensional image.

12.2. NAMES OF ARTISTS

12.2.1. Pablo Picasso

12.2.1.1. Girl with a Mandolin - Museum of Modern Art, USA

12.2.2. Albert Gleizes

12.2.2.1. Man on a Balcony (Portrait of Dr. Théo Morinaud)- Philadelphia Museum of Art,USA

12.2.3. Juan Gris

12.2.3.1. Portrait of Picasso - Art Institute of Chicago,USA

13. Surrealism

13.1. 1. using allusions 2. paradoxical combinations of forms 3. combination of dream and reality 4. absurdity

13.2. NAMES OF ARTISTS

13.2.1. Salvador Dalí

13.2.1.1. Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening - Thyssen-Bornemisza Museum, Madrid

13.2.2. Giorgio de Chirico

13.2.2.1. The Red Tower - Guggenheim Museum

13.2.3. René Magritte

13.2.3.1. The Treachery of Images - Los Angeles County Museum of Art, USA