The Stanislavski Method

1. Actor training

1.1. Learning to use the system

1.2. Physical training-plasticity of motions

1.3. Vocal training

2. Lengthy rehearsal period

3. Discipline

3.1. Punctuality

3.2. Sobriety

3.3. Actor works on self

4. Plays that enable and educate audience

5. Release and relaxation

6. Ensemble

6.1. Fair and equitable working conditions

7. Creation of subtext in rehearsal

8. Creation of Psychological realism

8.1. Original set and costume desings

8.2. Given Circumstances

8.3. Unbroken lines

8.4. Superobjective

8.5. Sense memory/motion memory

8.6. Tempo Rhythm

9. Director's visión of play

9.1. Identifying superobjective

9.2. Mise en scene

10. Use of sound/light to create sense of off-stage life

11. Primacy of actor's own experience

11.1. Circles of attention

12. Concentration

12.1. 4th wall

12.2. Circles of attention

12.3. Unbroken line

12.4. Mental images

12.5. Objectives