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kontexty a metody vyzkumu IM by Mind Map: kontexty a metody vyzkumu IM
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kontexty a metody vyzkumu IM

kotelezo

Adorno

Prolog k televizi, cultural industries, a kapitalizmus eszkoze, hogy elfoglalja az embert, es ne lazadjon, feluton a film es a radio kozott

Televize jako ideologie

New media - introduction

rise of conceptual art in the 20th century trough marcel duchamp, questioning what is art?

procesual/time art, film, george melies, Untitled, Untitled, Dreyfus affair, Cinderella, abel gance, closest to 'cinematic poem', j'accuse, napoleon, man ray, luis bunuel, fritz lang, metropolis(1927), (german expressionism), dziga vertov, politically charged films, the man with the movie camera(1929), three song for lenin, sergei eisenstein, battleship potemkin(1925), edweard muybridge, chronophotography/ instant photography, 1878 motion of horses, 1888 studies in animal locomotion

daguerrotype, 1839

forerunners of media art

Manifestos, Luigi Russolo, The Art of Noise, 1913, Walter Ruttmann, Malerei mit Zeit, 1919-20, Bertolt Brecht, Radio as Communication Apparatus, 1930, Dziga Vertov, Cinema Pravda and Radio Pravda, 1925, F.T.P. Marinetti, Pino Masata, La Radia, 1933, Velimir Khlebnikov, The Radio of the Future, 1921, László Moholy-Nagy, Das simultane oder Polykino, 1927, James Joyce, Finnegan's Wake, 1938

motives for using media in art, spread art massively, get out of self imposed avantgarde artistic ghetto, also political charge " politization of aesthetics", do something that have never been done never before

start of using media in art after war:51-52, critical destructive strategy, guy debord, Hurlements en faveur de Sade(52), no-film, darkness and silence, "Society of spectacle", harming the spectacle society, receptive analytical strategy, John Cage, Imaginary landscaope no. 4, 1951, Williams mix, 1952, first tape recorder composition, utopian emphatic strategies, Lucio Fontana, Spazialismo(52)

Television: art or antiart

television coined the term mass medium

3 stages of tv art, 62-64, tv only as a material, futottak meg, Richard Hamilton, Just what is it that makes today's homes so different, so appealing, Tom Wesselmann, Isidore Isou, Lettrism, destruction of film, hypergraphics, proto advert&comics, Cesar, television, Karl Gerstner, Auto vision, Alan Kaprow, Push and pull, 1963, Samuel Beckett, Hey, Joe, 1966, Nam June Paik, father of video art, works, Random Access Music, 1963, interactive installation, Hommage a John Cage, 1959, zen for tv, videosynthetizer, exhibitions, Exposition of Music—Electronic Television, 1963, birth of video art, showing new ways of handling the medium, Wolf Vostell, TV decollage, works, TV burying, sun in your head, 68-69, TV as art form of the future, Black Gate Cologne, O.Piene, Tambellini, The medium is the medium, boston, gerry schum, Television Gallery, since 70, radicalization, intervention, chris burden, tv hijack, chris burden promo, nm Paik, Global groove

tananyag

frankfurt school

Walter Benjamin, works, The work of art in the age of mechanical reproduction(1935/1936), Aura, Politics of art, Facism, aethetization of politics, Communism, politization of art

Theodor Adorno, culture industry

Jurge Habermas

Max Horkheimer

FLUXUS

members, Nam June Paik, Dick Higgins, Joseph Beuys, John Cage, formed around his composition lectures, George Maciunas, organized it in 62, Gyorgy Ligeti, Yoko Ono, Wolf Vostell, La Monte Young

intermedia art, visual poetry, design, composition, happening, inspired by Allan Kaprow, fluxus performances were simpler, event scores

international artist organization

DIY

DADA