1. İmage
1.1. knowledge
1.1.1. documantery
1.2. documentary
1.3. CAMERA
1.3.1. mobile
1.3.2. NO CENTER
1.3.3. Visible
1.3.3.1. Fugitive
1.3.4. Paintings
1.3.4.1. Portables
1.3.4.2. travels
1.3.4.3. original
1.3.4.4. reproduction
1.3.5. images
1.3.6. moving
1.3.7. changing
1.3.8. mass media
1.3.9. Reproduction
1.3.9.1. market value
1.3.9.2. meaning
1.3.9.3. powerfull
1.3.9.4. mesagges
1.3.9.5. concept
1.3.9.6. context
1.3.9.7. Public İmage
1.3.9.8. minds
1.3.9.8.1. imaginary museums
2. COMPOSITION
2.1. sketches
2.2. material
2.3. size
2.3.1. whole arrangement
2.3.1.1. perspective
2.3.1.1.1. sight
2.4. Horizontality Verticality
2.4.1. stability
2.4.2. peace
2.4.3. golden section
2.5. Harmony Balance
2.5.1. weighing
2.5.2. tonal contrast
2.5.3. light
2.5.4. Camera Obscura
2.5.4.1. dark box
2.5.4.1.1. proportions
2.6. Rhytm
2.6.1. repetition
2.6.2. regularity
2.6.3. foreground
2.6.3.1. background
2.6.4. movement
2.7. Curves Diagonals
2.7.1. movement
2.7.2. spontaneity
2.8. Color
2.8.1. Primary Colors
2.8.1.1. Secondary Colors
2.8.2. hue
2.8.3. vibrancy
2.8.4. Complemantary
2.8.5. cool colors
2.8.5.1. warm colors
2.8.6. shade
2.8.6.1. tint
2.9. Collage
2.10. Symetry Asymetry
2.10.1. spontaneity
2.11. Space
2.11.1. Perspective
2.11.1.1. Linear Perspective
2.11.1.1.1. depth
2.11.1.2. Aerial Perspective
2.11.1.2.1. Leonardo Da Vinci
2.11.2. geometrical space
2.11.3. imaginative space
2.11.3.1. use of light
2.12. Form
2.12.1. sculptural
2.12.1.1. light
2.12.1.1.1. shade
2.12.2. volume
2.12.3. weight
3. INSTALLATION
3.1. Spectator involvement
3.2. new perception
3.2.1. time
3.2.1.1. space
3.3. own space
3.4. Ready Made
3.4.1. Marcel Duchamp
3.4.2. Gary Hill
3.4.2.1. Tall Ships
3.5. Perishable Materials
3.5.1. constant change
3.5.2. unfixable
3.6. Awkward Questions
3.6.1. Hance
3.7. space
3.8. constituent objects
3.9. images
3.10. spectator
4. individual genius
5. aesthatic beauty
6. ARCHITECTURE
6.1. Art
6.1.1. Science
6.2. Function
6.3. Traditional Architecture
6.3.1. not designed
6.3.2. traditional
6.3.3. experienced
6.3.3.1. experiment
6.3.4. geographical effects
6.4. Monumental Architecture
6.4.1. architects
6.4.2. designed
6.4.3. Architectural Terminology
6.4.3.1. masculine characteristics
6.4.3.1.1. static
6.4.3.2. feminine characteristics
6.4.3.2.1. movement
6.4.3.2.2. elaborate façade
6.4.4. Baraque Style
6.4.4.1. sculptural
6.4.4.2. light
6.4.4.2.1. shade
6.4.4.3. exaggerated
6.4.4.4. elaborate façade
6.4.4.5. feminine
6.4.5. Georgıan Style
6.4.5.1. rigid
6.4.5.2. classical architecture
6.4.5.3. static
6.4.5.4. masculine
6.4.5.5. function
6.4.5.6. symetrical
6.4.5.7. flat façade
6.4.6. Modern Architecture
6.4.6.1. NEW
6.4.6.1.1. materials
6.4.6.1.2. techniques
6.4.6.1.3. construction
6.4.6.2. İnternational
6.4.6.3. UNIVERSAL
6.4.7. Post-Modern Architecture
6.4.7.1. combines
6.4.7.1.1. Previous Periods
6.4.7.2. balance
6.4.7.3. harmony
6.4.7.4. unity
6.4.7.5. rebuilding
6.4.7.6. local identity
6.4.7.7. COMMUNUCATION
6.5. important buildings
6.6. traditional buildings
6.7. industrial buildings
7. AVANT GARDE
7.1. Revitalize
7.1.1. culture
7.1.2. society
7.2. MASS MEDİA
7.3. photographs
7.4. clothing
7.5. sculpture
7.6. buildings
7.7. paintings
7.8. magazines
7.9. manifestos
7.10. REVİITALIZE
7.11. CUBISTS
7.11.1. signature style
7.11.2. outside of the self
7.11.3. Pablo Picasso
7.11.4. geometric shapes
7.11.5. abstract
7.11.6. multiple views
7.12. FUTURISTS
7.12.1. modern technologies
7.12.2. machines
7.12.3. industralism
7.12.4. manifestos
7.12.5. mass audience
7.12.6. FACISTS
7.12.7. mass media
7.12.8. MARINETTI
7.13. DADAISTS
7.13.1. Cabaret Voltaıre
7.13.2. Karawane
7.13.3. meaninglessness
7.13.4. MARCEL DUSCHAMP
7.14. SURREALISTS
7.14.1. ANDRE BRETON
7.14.2. transform life
7.14.3. integrate
7.14.4. change
7.14.4.1. art
7.14.5. dreamlike
7.14.6. daily life
7.14.7. poetry
7.14.8. paintings
7.14.9. sculpture
7.14.10. films
7.14.11. photos
7.14.12. SALVADOR DALI
7.15. BAUHAUS MOVEMENT
7.15.1. Germany
7.15.2. functionality
7.15.3. cheap
7.15.4. simple
7.15.5. no decoratıon
7.15.6. glass
7.15.7. mass productıon
7.15.8. World War 2
7.15.9. Nazis
7.15.10. architecture
7.15.11. WALTER GROPIUS
7.16. DE STIJIL
7.16.1. neoplasticism
7.16.2. purification
7.16.3. Netherlands
7.16.4. PIET MONDRIAN
7.16.5. non-figurative
7.16.6. functionality
7.16.7. geometric shapes
7.16.8. cheap
7.16.9. primary colors
7.16.10. simplicity
7.16.11. industrial age
7.16.12. design
7.17. SITUATIONIST INTERNATIONAL
7.17.1. international
7.17.2. universal aesthetics
7.17.3. mass media
7.17.4. objection
7.17.5. revolutionary
7.18. Mass Media
7.18.1. addvertisements
7.18.2. photos
7.18.3. films
7.18.4. image
7.18.5. spread
7.18.6. common people
7.18.7. Public İmage
7.18.8. Political Propaganda
8. Culture
8.1. cu
9. Systems of Art
9.1. institutions
9.1.1. boundaries
9.1.2. conventions
9.1.3. ideology
9.1.3.1. reality
9.1.4. cultural institutions
9.2. Museums
9.3. Galleries
9.4. circulates
9.4.1. meaning
9.4.1.1. impoortance
10. 18th Century
10.1. religious
10.2. political
10.3. 'ART'
10.4. Revolotions
10.4.1. Liberal Democracy
10.4.1.1. 'citizen'
10.4.1.1.1. individual
10.4.2. Capitalism
10.4.2.1. individual
10.4.2.1.1. right to own
11. Artist
11.1. Individuals
11.1.1. property
11.1.1.1. contract
11.2. Authority
11.3. free will
11.4. authenticity
11.4.1. signature
11.4.1.1. value
12. Instutions of Art
12.1. Guilds
12.1.1. middle ages
12.2. Academies
12.2.1. State Institutions
12.2.2. Monarchy
12.2.3. 16th-17th century
12.2.4. sciences
12.2.5. liberal arts
12.2.6. fine arts
12.3. Priavet Studio
12.3.1. individualism
12.3.2. priavet dealer
12.3.3. free market
12.4. Galleries
12.5. Museums
12.5.1. Modern Museums
12.5.1.1. public museums
12.5.1.2. high art
12.5.2. Postmodern Museums
12.5.2.1. exhibition galeries
12.5.2.2. restaurants
12.5.2.3. gift shops
12.5.2.4. bookstores
13. Mystification
13.1. Meaning
13.2. past
13.3. explaining
13.4. justify
13.4.1. protect
13.4.1.1. ruling class
13.5. objective
13.6. perceive
13.6.1. point of view
13.7. missleading
14. perspective
14.1. Europian art
14.1.1. early Renaissance
14.2. painting
14.2.1. eye of the beholder
14.2.2. God-like
14.2.3. stable position
14.2.4. CENTER
14.3. Aerial Perspective
14.3.1. Leonardo Da Vinci
15. Oil Paintings
15.1. 16th century
15.2. cultural assumptions
15.3. properties
15.3.1. Texture
15.3.2. Richness of surface
15.3.3. Solidity
15.3.4. Tangibility
15.4. Technique
15.5. Art form
15.5.1. style of living
15.5.1.1. wealth
15.5.1.1.1. buyable objects
15.6. sense of touch
15.7. symbolism
15.8. illusionism
15.9. realistic
15.10. ownership
15.11. Genre Paintings
15.11.1. Frans Hals
15.11.2. Adriaen Brouwer
15.12. WOMEN
15.12.1. mirror
15.12.2. surveyed
15.12.3. appear
15.12.4. Nude
15.12.4.1. sight
15.12.4.1.1. seductive
15.12.5. Naked
15.12.5.1. without clothing
16. DESIGN
16.1. message
16.2. Thinking
16.2.1. Problem
16.2.2. Solution
16.2.2.1. sketching
16.2.2.1.1. consulting
16.2.3. Audience
16.2.4. content
16.2.5. form
16.2.6. function
16.3. Looking
16.3.1. Nature
16.3.2. Artifacts
16.3.3. History
16.4. Doing
16.4.1. redoing
16.4.1.1. selecting
16.4.1.1.1. critique
16.5. possible solutions
16.6. Design Process
16.6.1. define
16.6.1.1. research
16.6.1.1.1. ideate
17. SCULPTURE
17.1. solid forms
17.2. Modeling
17.3. Carving
17.4. Assemblage
17.5. 3D Fuller Form
17.5.1. Closed Form
17.5.1.1. solid mass
17.5.1.2. self contained
17.5.1.3. compact
17.5.1.4. carved out
17.5.1.5. symetrical
17.5.1.6. rigid
17.5.1.7. certainties
17.5.2. Semi-open Form
17.5.2.1. Greece
17.5.2.1.1. ideal body proportions
17.5.2.2. flexible
17.5.3. Open Form
17.5.3.1. various masses
17.5.3.2. balance of action
17.5.3.3. tension
17.5.3.4. movement
17.6. Relief
17.6.1. carved forms
17.6.2. Low Relief
17.6.2.1. decorative
17.6.3. Medium Relief
17.6.3.1. creative
17.6.3.2. architectural interraction
17.6.4. High Relief
17.6.5. Full Treatment
17.6.5.1. free sculptures
17.6.5.2. columns
17.7. 4th Dimension
17.7.1. time
17.7.2. space
17.7.3. transparent
17.8. Kinetic Sculpture
17.8.1. monement
17.8.2. Motorized Sculptures
17.8.2.1. engineering
17.8.2.2. light
17.8.2.3. motor
17.9. Assemblage
17.9.1. found objects
17.9.2. abstract
17.10. Figurative
17.11. Abstract
17.11.1. exaggerations